Bhrigu

Bhrigu, in Hindu mythology, is the name of a revered ancient sage (rishi) who played a significant role in various texts and traditions. Here are some key aspects associated with Bhrigu:

  1. Genealogy: Bhrigu is often mentioned as one of the seven great sages (Saptarishi) in Hindu tradition. He is the son of Lord Brahma, the creator of the universe, and is considered one of the Manasputras, mind-born sons of Brahma.
  2. Bhrigu Samhita: Bhrigu is credited with composing the Bhrigu Samhita, a famous astrological classic. It is believed to be a detailed astrological treatise that contains predictions about individuals based on their past karmas. The Bhrigu Samhita is consulted by those interested in astrology and predictions.
  3. Marriage to Khyati: Bhrigu is married to Khyati, and they have two sons, Dhata and Vidhata, who are considered deities associated with creation and destiny.
  4. Bhrigu and the Trimurti: In one well-known myth, Bhrigu is said to have tested the Trimurti—Brahma, Vishnu, and Shiva—by visiting each of them to determine who among them is the most superior. When he first went to Brahma, Brahma was preoccupied and didn’t immediately acknowledge him. In response, Bhrigu cursed Brahma that he would not be widely worshipped. Later, when Bhrigu visited Shiva, he was met with anger. Finally, when he visited Vishnu, Vishnu not only welcomed him but also apologized for any discomfort caused. Bhrigu then declared Vishnu to be the most superior among the Trimurti.
  5. Bhrigu and Lakshmi: Another well-known story involves Bhrigu kicking Vishnu on the chest during the above-mentioned encounter. Instead of getting angry, Vishnu calmly accepted the act and even apologized for any pain caused to Bhrigu’s foot. This act is often cited in the context of the devotion of the goddess Lakshmi, who is said to have chosen Vishnu as her consort because of his humility and patience.
  6. Contributions to Dharma Shastra: Bhrigu is also considered a contributor to Dharma Shastra, the ancient Hindu legal and ethical literature.

Bhrigu is a respected figure in Hindu mythology, and stories about him are often cited to convey moral and ethical lessons. The Bhrigu Samhita, associated with astrology, is still consulted by practitioners in the field.

Maharishi Bhrigu was one of the seven great sages, one of the Saptarshis in ancient India, one of many Prajapatis (the facilitators of Creation) created by Brahma (The God of Creation) , the first compiler of predictive astrology, and also the author of Bhrigu Samhita, the astrological (Jyotish) classic written during the Vedic period, Treta yuga, most probably around 3000 BC

Bhrigu is a ManasaPutra (wish-born-son) of Lord Brahma, who simply wished him into existence, to assist in the process of creation, for this reason he is also considered one of the Prajapatis.

He is married to Khyati, the daughter of Daksha. He has two sons by her, named Dhata and Vidhata His daughter Shri, was married Lord Vishnu (Narayana). Thus in some traditions, Laxmi, the consort of Lord Vishnu is said to be his daughter.

He had one more son, who is better known than Bhrigu himself – Shukra. The sage Chyavana is also said to be his son. [Maha:1.5]

In scriptures
Sage Bhrigu finds mention in the Vayu Purana, where he shown present during the great Yagna of Daksha Prajapati (his father-in-law)

Bhrigu clan

The Bhrigus, also known as Bhargavas, are a clan of sages descending from the ancient fire-priest Bhrigu. They instituted the ritual of offering the juice of the Soma plant to the old deities. Some of them were also warriors in addition to being priests. The Bhrigus are intimately linked with the composition of the Atharva-Veda.

The prominent personalities (pravara) mentioned in the puranas of this clan include: Bhargava, Chyavana, Aaplavaana, Aurava, Jamadagnya (Son of Jamadagni, Parusharama).

The illustrious Bhrigu was born from Brahman. The learned Sukra is Bhrigu’s son. The planet Sukra (Planet Venus) is named after him. He became the spiritual guide of both the Daityas (enemies of Gods) and the Devas (Gods). Bhrigu begot another excellent son. This was Chyavana. Arushi, the daughter of Manu, became the wife of Chyavana. And, on her was begotten Aurva of great reputation. Aurva begot Richika. And Richika begot Jamadagni.

Bhrigu Samhita

Bhrigu is credited as the father of Hindu astrology and the first astrological treatise Bhrigu Samhita is attributed to his authorship. This treatise is said to contain over 5 million horoscopes, in which he wrote down the fate of every being in the universe. According to popular tradition, only about a hundredth of these horoscopes have survived to this age.The Bhrigu Samhita is an astrological (jyotish) classic attributed to Maharishi Bhrigu during the Vedic period, although the available evidence suggests that it was compiled over a period of time by the various sishyas (students in the lineage) of Maharishi Bhrigu.

Maharishi Bhrigu was the first compiler of predictive astrology. He compiled about 500,000 horoscopes and recorded the life details and events of various persons. This formed a database for further research and study. This study culminated in the birth of the science (shastra) of determining the quality of time (Hora) and is the Brihat Parasara Hora Shastra. These Horoscopes were based upon the planetary positions of the Sun, Moon, Mercury, Venus, Mars, Jupiter, Saturn, Rahu (North Node of the Moon) and Ketu (South Node of the Moon). After that, Maharishi Bhrigu gave his predictions on different types of horoscopes compiled by him with the help of Lord Ganesha in a brief and concise manner. The total permutations/ possible horoscope charts that can be drawn with this is about 45 million.

During foreign invasions of India by Muslim warriors from the north west in the 12th and 13th centuries, the brahmin community became dispersed all over India. The invaders captured these prime assets of the brahmins. Some parts of the ‘Bhrigu Samhita’ were taken away by them. The most unfortunate and destructive event was the destruction of the Nalanda university library where several thousands of the horoscopes compiled by Maharashi Bhrigu had been stored. Only a small percentage of the original horoscopes of Bhrigu Samhita remained with the brahmin community which are now scattered throughout various parts of India

Test of the divine Trinity

In a popular legend involving sage Bhrigu, once he participated in a debate concerning who among the Trimurti (Divine trinity: Brahma, Vishnu and Shiva) is greater and worthy of receiving fruits of a yagna. On the suggestion of celestial sage, Narada, Bhrigu, the sage who had an extra eye in the sole of his foot, first visited Brahma and Shiva, both of whom, when they learned of his quest, sought to impress him with their power.

However when he reached Vaikunta, the abode of Vishnu, he saw that the god was fast asleep. Brighu called to him many times, but could not wake him up. Angered, he kicked the God on his chest. This woke Vishnu up, and immediately he started pressing the sage’s feet, asking him if he had hurt his feet in kicking his hard chest. In the process, Vishnu also destroyed the third eye that Bhrigu had on his foot, which signifies his false ego [7]. Upon seeing the humility of the God, Bhrigu learned the answer that he had been seeking for so long.

Bhoganathar

Bhoganathar, also known as Boganathar or Bhogar, is a legendary figure in the Tamil Siddha tradition, which is a spiritual and alchemical tradition that originated in ancient Tamil-speaking regions of South India. Bhoganathar is considered one of the eighteen Siddhars, who were accomplished and enlightened beings with mastery over various yogic and alchemical practices.

Here are some key points associated with Bhoganathar:

  1. Siddha Tradition: Bhoganathar is revered in the Siddha tradition, which is known for its emphasis on spiritual practices, alchemy, herbal medicine, and the attainment of immortality.
  2. Alchemical Contributions: Bhoganathar is credited with significant contributions to alchemy (Rasayana) and the development of herbal medicines. Legends suggest that he was adept at creating the elixir of immortality, and he is often depicted as holding a “kundalini kal,” a vessel symbolizing the alchemical process.
  3. Tirukkanda Panchanga: Bhoganathar is said to have authored the Tirukkanda Panchanga, an ancient Tamil almanac that provides insights into astrology, astronomy, and traditional Indian timekeeping methods.
  4. Palani Hills Connection: There are legends associating Bhoganathar with the Palani Hills in Tamil Nadu, India. It is said that he resided in the Palani Hills and that his samadhi (final resting place) is located there.
  5. Spiritual Teachings: Bhoganathar is considered a spiritual teacher, and his teachings are often esoteric and mystical. He is said to have emphasized the importance of inner transformation and the awakening of spiritual consciousness.
  6. Iconography: In art and depictions, Bhoganathar is often portrayed with matted hair, holding an alchemical vessel, and engaged in yogic postures.

It’s important to note that the details of Bhoganathar’s life and teachings are often shrouded in mysticism, and historical accuracy may be challenging to ascertain. Nevertheless, he remains an important and revered figure in the Siddha tradition, and his teachings continue to influence spiritual seekers in the region. Legends and stories about Bhoganathar are passed down through oral traditions and ancient texts associated with the Siddha tradition.

An Oceanic Life Story

Boganathar or Bogar, the Jnana Guru of Babaji, in the poem “Bogar inana Sagarama” (Bogar’s Oceanic Life Story, consisting of 557 verses, Verse number 2, lines number 3 and 4), identifies himself as a Tamilian,
(Ramaiah, 1979; 1982, p. 17)[1]. In the same verse he states that the great Siddha Kalangi Nathar initiated him in Jnana Yoga (supreme self-knowledge).
Kalangi Nathar was born in Kasi (Benares), India. He attained the immortal state of soruba samadhi at the aged of 315, and then made China the center of his teaching activities. He belonged to the ancient tradition of Nava (nine) Nath sadhus (holy ascetics), tracing their tradition to Lord Shiva. There are nine important shrines associated with this tradition, five of which are in the Himalayan mountains: Amarnath (where Shiva first taught Kriya Yoga to his Shakti partner, Parvati Devi), Kodarnath, Badrinath (India), Kailasanath, (Tibet) and Pasupathinath (Nepal).
Meanwhile, Boganathar practiced Kundaflni Yogam in four stages. The first three stages are described in a later chapter on “The Psychophysiology of Kriya Kundalini Pranayama”. Boganathar chose the Palani malai (mountain) in what is now southwestern Tamil Nadu as the site for intensive yogic practice (tapas) for the final stage. He attained soruba samadhi at Palani, through the grace of Lord Muruga, or the eternal youth, “Kumaraswamy”. The Kumaraswamy temple at Palani became the epicenter of his activities. He visited many countries astrally, and physically and through transmigration. In one of his songs Boganathar claims to have flown to China at one point in a sort of airplane which he built; he held discussions with Chinese Siddhas before returning to India (Kailasapathy, 1969, p. 197-211). His visit to South America has been confirmed by accounts left by the Muycas of Chile: “Bocha, who gave laws to Muycas, was a white, bearded man, wearing long robes, who regulated the calendar, established festivals, and vanished in time like others (other remarkable teachers who had come across the Pacific according to numerous legends of Incas, Aztecs and Mayans). ” (Lal, 1965, p. 20)[2]. He convened a meeting of many siddhas just before the beginning of the present Kali Yuga, in 3102 B.C., to determine the best way for humanity to progress along the spiritual path during the con-ling period of darkness. The Yoga of love and devotion, Bhakti Yoga, was chosen as being the best means. Boganathar was entrusted by the siddhas with the task of defining the rituals for the worship of their favorite deity “Palaniandavar”, the Lord (Muruga) of Palani.
Many rituals which center around the bathing (Abishekam) of an idol of Palaniandavar with many substances, including panchaamirtham consisting of five fruits and honey, were developed by him and continue to be followed to this day. The idol had to be created from a substance which would last throughout Kali Yuga. The most resilient of known substances, granite, was known to wear and crack after thousands of such rituals. So Boganathar fashioned it out of nine secret herbal and chemical ingredients, nava pashanam, which made it harder than granite. Eight of the ingredients were combined in a mold of the idol. The ninth, was added as a catalyst, to solidify it.
In recent times the scientists who attempted to determine the composition of a small sample of the material of the idol, were startled to find that it immediately subtle mated when heated. Thus its composition remains a mystery to date. The traces of the substance are contained in the ritual offerings in which it is bathed. When these are returned and consumed by the devotee, their spiritual progress is enhanced.

A Mission to China and Transmigration

Kalangi Nathar decided to enter into samadhi in seclusion for 3,000 years. He summoned Boganathar telepathically from Tamil Nadu to China to take over his mission. Boganathar travelled by sea, following the trade route. In China, he was instructed by Kalangi Nathar in all aspects of the Siddha sciences. These included the preparation and use of the kaya kalpa herbal formulae to promote longevity. After Kalangi Nathar entered into trance, Boganathar assumed his teaching mission to the Chinese. To facilitate this, he transmigrated his vital body into the physical body of a deceased Chinese man, and thereafter went by the name “Bo-Yang”. “Bo” is a derivation of the word “Bhogam” which means Bliss, material and spiritual. This Bliss, for which he was named “Bo-Yang” is experienced when the Kundalini shakti, the feminine primordial yin energy awakens, passes up to the crown of the head, the seat of Shiva, the masculine yang pole, in the Sahasrara chakra at the summit of the head and unites with it. The result of this integration of feminine and masculine parts of the being, or union (“Yoga”) of Shakti and Shiva, Yin and Yang, is Satchitananda: Absolute Existence-Consciousness Bass.
Transformation or His Physical Body Boganathar decided to overcome the limitations of the Chinese body, with its degenerative tendencies, and prolong its life through the use of the kaya kalpa herbs long enough for the effect of Kriya Kundalini Pranayama and related yogic techniques to bring soruba samadhi. In his poem Bogar Jnana Sutra – 8, verse number 4, he describes vividly what happened after carefully preparing a tablet using thirty five different herbs:
With great care and patience I made the(kaya kalpa) tablet and then swallowed it, Not waiting for fools and skeptics who would not appreciate its hidden meaning and importance. Steadily I lived in the land of the Parangis (foreigners) For twelve thousand years, my fellow! I lived for a long time and fed on the vital ojas (sublimated spiritual energy) With the ojas vindhu I received the name, Bogar; The body developed the golden color of the pill,-Now I am living in a world of gold (based upon translation by Yogi S.A.A. Ramaiah, 1979, P. 40-42).
He chose three of his best disciples and his faithful dog, and took them to the top of a mountain. After first offering a tablet to the dog, the dog immediately fell over dead. He next offered it to his leading disciple, Yu, who also immediately fell over dead. After offering it to the two remaining disciples, who by this time wore extremely nervous, and who promptly hid their tablets rather than swallow them, Boganathar swallowed the remaining tablets and also fell over unconscious. Crying with grief, the two remaining disciples went down the mountain to get material to bury the bodies. When the disciples returned to the spot where the bodies had been left lying, all that was found was a note, in Boganathar’s handwriting, which said:
The kaya kalpa tablets are working. After awakening from their trance I restored faithful Yu and the dog. You have missed your chance for immortality. (Ibid.)
This kaya kalpa enabled Boganathar to transform the Chinese body over a period of 12,000 years, during which time it developed a lustrous golden color. (The physiological transformation to the state of soruba samadhi was, however, completed only later, at Palani in the final phases of Kriya Kundalini Yoga and related practices. These phases will be described in chapter 11. Boganathar’s own graphic description is recorded in the poem at the end of this chapter Initiation into Samadhi.)
In this poem Sutras of Wisdom – 8, he sings prophetically of the taking up of the practice of pranayama in modern times by millions of persons who would otherwise have succumbed to drug abuse:Will chant the unifying verse of the Vedanta, Glory to the holy feet of Uma (the Divine Mother of the Universe, Shakti), Will instruct you in the knowledge of the sciences, ranging from hypnotism to alchemy (kaya kalpa), Without the need for pills or tablets, the great scientific art of pranayama breathing, will be taught and recognized By millions of common people and chaste young women. Verse no. 1 (based upon translation by Yogi S.A.A. Ramaiah, 1982, p. 40).

Becomes known as Lao-Tzu, founder of Taoism
After this incident with the Chinese disciples, Bo-Yang became also known as Lao-Tzu, and was accessible for nearly 200 years, and trained hundreds of Chinese disciples in Tantric Yoga practices, wherein semen and sexual energies are conserved and sublimated into spiritual energies. The advanced techniques which he taught involve raising the energies from the muladhara chakra corresponding to the perineum up to the sahasrara chakra during sexual inter course with a spiritually minded partner, resulting in sublimated energy, tejas, manifesting throughout all the cells of the body. On the fifth century B.C., Confucius met Lao-Tzu Bo-Yang and afterwards said of him:
I know a bird can fly, a fish can swim, and an animal can run. For that which runs, a net can be fashioned for that which swims, a line can be strung. But the ascent of a Dragon on the wind into heaven is something which is beyond my knowledge. Today I have met Lao-Tzu, who is perhaps like a Dragon. Among the Chinese, particularly, the Taoists, the Dragon is the symbol of Kundalini Shakti, the primordial force.
At the end of his mission to China, about 400 B.C., Boganathar, with his disciple Yu (whom he also gave the Indian name Pulipani) and other close disciples, left China by the land route. As recorded in the Taoist literature, at the request of the gatekeeper at the Han Ku mountain pass Lao-Tzu crystallized his teachings. He did so, in two books, the Tao Ching[3], with 37 verses, and the Te Ching with 42 verses (MacKintosh,1971).
In book two he says Do good to him who has done you injury, which was also said by the contemporary Tamil Siddha, Thiruvalluvar in his Thirukkural (Thiruvalluvar, 1968). Taoist yoga traditions continue to seek physical immortality using techniques remarkably singular to those taught in Tamil Shiva Yoga Siddhantha.

Return to India

Along their way, they visited several shrines in the Himalayas and Kumarupa, the famous Tantric Shakti shrine in Assam[4]. He composed his greatest work of 700,000 verses near Mt. Kailas with the blessings of Lord Shiva. It was later abridged to 7,000 verses, and is known as Bogar Saptha Kandam. He later visited Gaya, India and Arabia. Upon his return to Tamil Nadu he introduced the Chinese salts and chemistry, which he called Seena-charam and porcelain making. He submitted his 7,000 verse manuscript for evaluation to his guru, Agastyar at Courtrallam and to an academy of siddhas there. It was endorsed by all of them as a great work.
Following this, many siddhas, including Konkanavar, Karuvoorar, Nandoeswar, Kamala Muni, Satta Muni, Macchamuni, and Sundarandar became his disciples to study the sciences of kaya kalpa and yoga. He eventually turned over his teaching mission to Pulipani.

Establishes shrine at Katirgama and attains soruba samadhi

After performing tapas at Sathura Giri, and Shiva Giri, he went to Katirgama in Sri Lanka to perform tapas and win the grace of Lord Muruga. Under inspiration from the Lord he established the famous Yantra shrine, representing the 1,008 petalled lotus chakra, which blossomed in Bogar there. Next he went to Palani where he attained soruba samadhi. He retired to Katirgama, where Babaji Nagaraj met him around 211 A.D.

Second Mission to China

Later, after the period of the six Dynasties (220 to 590 A.D.), Boganathar returned with some Tamil disciples to China. He left his mission in Tamil Nadu with Pulipani, the Chinese Siddha. During the construction of the Brihiteeswarar Shiva Temple in Tanjore, Tamil Nadu, around 900 A. D. Boganathar advised its builders as to how to raise the eighty ton capstone to the top of the temple, more than 200 feet high. This was done through his disciple Karuvoorar and another Tamil disciple who acted as intermediaries and through messages tied to the logs of courier birds, like today’s homing pigeons. At Bogar’s suggestion a gradient ramp five miles long was built, up which the stone was pulled to the top of the temple. This was one of the most remarkable engineering feats of all times. About this time he also advised the King of Tanjore to build a small shrine dedicated to one of his greatest disciples, Karuvoorar, behind the Bhrihiteeswarar Shiva Temple.

Current Activities

While Boganathar is reported to have left the physical plane at Palani, he continues to work on the astral plane, inspiring his disciples and devotees, and even in rare instances he transmigrates into another’s physical body for specific purposes. Several revered persons, including Yogi S.A.A. Hamaiah, Swami Satchidananda of Yogaville, Virginia and Coimbatore, India and Sri Dharmananda Madhava of Palani in India have related accounts to this author of how they have initiated by him in visionary experiences. Swami seen him and been Satchidananda told the author in 1988 that once, when he was climbing the steps up the mountain to the Palani temple, he stopped to rest. While meditating he suddenly had a vision of Siddha
Boganathar, who initiated him into an advanced technique of yoga. Yogi Ramaiah, in delivering lectures upon the verses of Siddha Boganathar, seems to be so infused with the spirit and genius of the e Siddha, and interprets them with so much inspiration, that there is room for little doubt that it is Boganathar himself using the speaker like a human microphone.
Yogi Ramaiah reports that Boganathar inspired many modem scientists in their discoveries, in particular Neils Bohr and Albert Einstein. This he does by guiding them telepathically but anonymously in their research work, providing them with mental suggestions which enable them to make key discoveries. Einstein himself wrote an essay describing how his discovery of his famous law of relativity, E=MC2, came to him in a flash of inspiration. Bogar also intervened using his psycho-kinetic and clairvoyant powers during a critical period when equipment in the first space vehicle going to the moon in 1968 malfunctioned. Bogar has also worked through his disciples and devotees to assemble and publish his writings in many fields of science, medicine and yoga. Eventually, these will be researched and applied forthe benefit of humanity.

A memorial samadhi shrine dedicated to him is situated in the Palani temple complex.

Selections from the writings of Siddha Boganathar

The following selections from the collected writings of Siddha Boganathar, the great Jnana (wisdom) and Dhyana (meditation) guru of Babaji, may best be understood, when used along with the original Tamil in a particular meditation technique taught to initiated students of Kriya Yoga (Ramaiah, 1979, 1982). Using such a meditation technique, one can go back to the source of these verses, and there obtain a more complete view of what they point to. As each verse was the summary of one year of meditation by their author, one can at best only glimpse his experience, when used in this way. One realizes the limitations of the intellect in such a process: like a teacup trying to measure out the ocean.

Initiation into samadhi by Boganathar

Carefully draw flower petals in a circle; Ah sound is modified, concentrate Air (while breathing to that spot). All of the four will secrete, as a result, and will manifest. Be there. Remaining in the Mula (root center) you should blow. Verse no. 1
Breathing the air thus, the particular black color is perceived. See it in the navel center; The black color is replaced by the red color, Followed by the experience of samadhi. Verse no. 2
If you breathe blowing with great force the realm of Thou. The ascending fire manifests as the guru; That guru manifests as the essence of Truth; It ends the dark night. Verse no. 3
In the elemental still spaces of vital energy, The Divine flames end the darkness. In these spaces are found the Pot of Siddhi (divine powers), the epicenter of metamorphosis. The Samadhi of Light remains. Verse no.4
Although the box is closed, you will get it open; Open the firmly closed lid and churn the pit; Pour half the contents into a sixjaan’ (outstretched hand width) vessel. The result is a’paspam’ (oxide) which may produce marvelous effects. Verse no. 5
Meticulously and naturally raise to a height of three jaan, The Static Shakti, after looking at her and making her blossom. Worship him in the depths of your being; The Samadhi will enlighten the eight domains. Verse no. 6
During the period of luminous metamorphosis, the herbal oil soaks in and beautifies; The beautiful Nandi (Shiva) described with great authority how to kick away Death, so that Samadhi will make the (physical) body last. Verse no. 7
If the inner Vayu (Prana, energy) circulates, the short-lived physical body will manifest the power often million suns. The mortal body will endure for three epochs; Awaken! Give up the enchantment of desire! Verse no. 8
Concentrate on the neck, and in so doing out of the six chakras, Concentrate on the letter whose vitality is so subtle;
The jiva (individual soul) is the kingdom; concentrate on the vital capital city. Intensely you draw in and hold the life energy with great effort. Verse no. 9
Concentrate daily, the ten vital energies will be locked inside; The glorious light of Nandi (Shiva) will be awakened. Immediately you will be a witness to the future trends; You will witness how many epochs the physical body will live.’ Verse no. 10 (based upon translation by Yogi S.A.A. Ramaiah, 1982, p. 44-45).
In the above verses Boganathar speaks of the use of Kriya Kundalini pranayama techniques and the use of kaya kalpa herbal formulae for the attainment of Self realization and ultimately self transformation extending to the physical body.

[1] The material in this chapter is based upon the life story of the Siddha Boganathar narrated by Yogi S.A.A. Ramaiah in his introduction to the third volume of the collected works of Boganathar, Bogar Kandam Yogam: Babaji’s Yoga of Boganathar. and notes in lectures.
[2] Authoritities quoted by Bancroft in the Pacific States, Vol. V., 23-24.
[3] See “The Wandering Taoist”, by Deng Ming-Dao, 1983 for a contemporary account of Taoist immortals and their practices in China, and “The Tao and Chinese Culture” by Da Liu, 1979 for a description of the highest goal of Taoist practices, “golden” immortality.
[4] It is here that Macchamuni (Macchendranatha), one of his disciples, later composed the first great treatise on the scientific art of Kriya Tantra Yoga, from which arose the Kalpia and Kapalika tantric traditions.

Bharadvaja

Bharadvaja, also spelled Bharadvaja or Bharadvāja, is a name associated with various figures in Hindu mythology and ancient Indian texts. Here are a few notable references to Bharadvaja:

  1. Rishi Bharadvaja: In Hindu tradition, Bharadvaja is the name of several revered sages, or rishis. One of the most well-known is Rishi Bharadvaja, one of the seven Chiranjivi (immortal beings) in Hindu tradition. He is mentioned in various ancient texts, including the Rigveda and the Mahabharata. Bharadvaja is credited with composing hymns in the Rigveda.
  2. Bharadvaja Gotra: In Hinduism, “gotra” refers to the lineage or clan of a person. Many people identify themselves with a specific gotra, which is often associated with a particular sage. Bharadvaja is the name of a gotra, and people belonging to this gotra trace their ancestry to Rishi Bharadvaja.
  3. Bharadvaja’s Ashram: According to some Hindu scriptures, Rishi Bharadvaja had an ashram (hermitage) on the banks of the river Ganga. This ashram is mentioned in various epics and stories.
  4. Bharadvaja in Mahabharata: In the Mahabharata, one of the major Sanskrit epics of ancient India, Bharadvaja is a character who plays a role in various episodes. For example, he is involved in the story of how the sage Drona, an important character in the Mahabharata, came into existence.
  5. Bharadvaja in Ayurveda: In Ayurveda, the traditional system of medicine in India, Bharadvaja is credited with being the author of the treatise “Bharadvaja Samhita,” which is a part of the Ayurvedic canon.

The name Bharadvaja is thus associated with wisdom, learning, and contributions to various fields in ancient Indian culture and tradition. Different texts and traditions may have variations in the stories and details associated with Bharadvaja.

Bharadwaja (Devanagari: भरद्वाज / भारद्वाज) is one of the greatest Hindu sages (Maharshis), descendant of rishi Angirasa, whose accomplishments are detailed in the Puranas. He is one of the Saptarshis (Seven Great Sages Rishi) in the present Manvantara; with others being Atri, Vashishtha, Vishvamitra, Gautama, Jamadagni, Kashyapa.

Bharadwaja rishi was father of Dronacharya and grand father of Ashwatthama. Bharadwaja Maharshi, a sage of the Vedic period, is renowned for his thirst for knowledge. He attained extraordinary scholarship and the power of meditation.

History

Bharadwaj as Gotra means people who are the descendants of Rishi Bharadwaj. Rishi Bharadwaj was the son of sage Brihaspati. Sage Brihaspati was the son of Rishi Angiras. These 3 rishis are called the traya rishi of the Bharadwaj Gotra.in earlier days Sages were only Brahmins excepting Sage Vishwamitra. Also all the warrior brahmins became Kshatriyas later. Later all the business minded Kshatriyas became vaishyas. Hence there are people of all the three communities having a common Gotra especially Bhardwaj Gotra. Guru Dronacharya was the son of sage Bharadwaj. All the descendants of Bharadwaj Gotra display warrior skills because sage Bharadwaj married a Kshatriya woman called Suseela. According to Anuloma marriage, the offsprings who are born to a brahmin father and a kshatriya woman take the characteristics of Kshatriya though technically being a Brahmin. Hence the brahmin descandants of Bharadwaj Gotra are referred to as Brahma-Kshatriyas (Warrior Brahmins). They are considered to have intelligence in Vedas and war

The ashram of Bhardwaj rishi still stands on the banks of river Ganges in Allahbad, India.

Bharadwaja in Ramayana

In Ramayana, Rama along with Sita and Lakshmana went on exile for the words of his father. Rama along with them went through many forest regions starting from crossing yamuna river with help of Guha ,head clanman and a friend of Rama’s father Dasaratha. As he travelled he visited many rishi’s ashrams. Met many rishis and sages including Agasthiyar, Gauthama and Bharadwaja. Rama and others rested in Bharadwaj’s ashram and accepted his offerings.

Gotra

In India, Bharadwaja is an ancestor of Brahmin People belonging to the Bharadwaja gotra. Bharadwaja who is the great grand son of Lord Brahma is the root for his clan, Bharadwaja gotra.

Inhabitance

* Odisha: The saraswata Bramhins in Odisha are of Bharadwaja Gotra
* Kashmir: among Saraswat Brahmins who migrated to Himalayas.
* Himachal Pradesh: around 60% of Brahmins have Bharadwaja as their gotra.
* Punjab: around 45% of Brahmins have Bharadwaja as their gotra.
* Haryana: around 40%-45% of Brahmins have Bharadwaja as their gotra.
* Rajasthan: around 35% of Rajasthani Brahmins have Bharadwaja as their gotra, Rigveda as vedanta and kuldevta as Shri Lakshmi Narsimha or Shri Narasimha.
* Maharashtra
* Among Iyers and Iyengars In TamilNadu and nambudiri In Kerala.
* Aruvela Niyogi brahmans in Andhra Pradesh
* Vaidiki velanadi brahmans in Andhra Pradesh
* Madhwa and Smartha brahmins in Karnataka.
* Indian states of Bihar, Jharkhand, Uttar Pradesh and Bundelkhand region of Madhya Pradesh: Bhumihar Brahmins have Bharadwaja as their Gotra.
* Mauritius (Country)- Speaking language- Hindi, Bhojpuri, Magadhi

Aurava

Aurava is a fierce sage descending in order from Vishnu, Brahma, Bhrigu, Chyavana, Apnuvana. He was born during a bloody feud between the Kshatriyas and the descendents of Bhrigu. He was the grandson of Vatsa, after whom the Srivatsa gotra is named. His son was Ruchika and Ruchika’s son was Jamadagni.

Aupamanyava

Aupamanyava is a name that appears in Hindu mythology, specifically in the Rigveda, one of the oldest sacred texts of Hinduism. Aupamanyava is associated with a hymn in the Rigveda, and the hymn is dedicated to Agni, the god of fire.

In the Rigveda, various sages or rishis are credited with composing different hymns. Aupamanyava is one of these rishis who contributed to the Vedic hymns. The hymns in the Rigveda are written in a poetic and symbolic language, and they often praise and invoke various deities.

The significance and details of Aupamanyava are primarily found within the context of Vedic literature, and interpretations may vary. If there’s a specific aspect or question you have in mind regarding Aupamanyava, please provide more details, and I’ll do my best to assist you.

Aupamanyava, also known as Aupamanyu, is a figure from Hindu mythology. He is a character from the Mahabharata, one of the major Sanskrit epics of ancient India. Aupamanyava was the son of the sage Drona and a disciple of Arjuna, one of the Pandava princes.

The story of Aupamanyava is associated with the Kurukshetra War, the great battle that forms the central narrative of the Mahabharata. Aupamanyava fought on the side of the Kauravas, who were the adversaries of the Pandavas in the war.

Notably, Aupamanyava was one of the many warriors who participated in the battle, and his role is often mentioned in the context of the larger epic. The Mahabharata contains numerous stories and subplots involving various characters, and Aupamanyava is a relatively minor character in the grand narrative of the epic.

The patronymic Aupamanyava establishes him as a descendant of Upamanyu, while the name Kamboja suggests an association with the Kamboja kingdom of the (late Vedic) Mahajanapada period.

Vamsa Brahmana informs us that sage Anandaja had received the Vedic learning from sage Samba, the son of Sarkaraksa, as well as from Kamboja, the son or descendant of Upamanyu.

Lineage

Vamsa Brahamana of the Sama Veda refers to one Rsi Madragara Shaungayani as the teacher of Aupamanyava Kamboja. As the name itself suggests, risi Madragara Shaungayani belonged to Madra tribe, i.e. the Uttaramadras.

Dr Jain also observes: “Kamboja Aupamanyava, pupil of Madragara, is mentioned in the Vamsa Brahmana. This points to a possible relationship of the Madras or more probably of the Uttaramasdras with the Kambojas, who probably had Indian as well as Iranian affinities”

As a grammarian.

Aupamanyava is repeatedly quoted as a grammarian by Yaska in his Nirukta, and also mentioned in respect of the Nisadas and the Panca-janah.. Aupamanyava is also stated to have authored one Nighantu—a collection of Vedic words Pt Bhagva Datta points out that, Dr G. Opart has referred to one nirukta (etymology) whose authorship he attributes to a certain Upamanyu.

Vamsa Brahmana

Commenting on the Vamsa Brahmana list of Vedic teachers, Albrecht Weber writes: “One fact deserves to be especially noticed here, namely, that several of the teachers mentioned in the Vamsa Brahmana, by their very names, points us directly to the north-west of India, e.g. Kamboja Aupamanyava, Madaragara Saungayani, Sati Aushtrakshi, Salamkayana and Kauhala” [15]. And commenting on the same list, R Morton Smith also writes: “The names Kamboja Aupamanyava, Sati Austraksi and Madragara Saungayani suggest a North-west connection for the main branch of Vamsa Brahmana .

It is interesting to note that among the entire lists of ancient Vedic teachers of the Satapatha Brahmana as well as the Vamsa Brahmana [17], Kamboja Aupamanyava appears as the first “Aupamanyava”‘ (i.e. son or descendant of Upamanyu). This Kamboja Aupamanyava was the guru of Anadaja Chandhanayana who in turn was the guru of Bhanumant Aupamanyava [18]. Bhanumant Aupamanyava had instructed Urjayant Aupamanyava [19]. Vedic teachers Bhanumanta Aupamanyava and Urjayant Aupamanyava of the Vamsa Brahmana list were likely the son and grandson of Kamboja Aupamanyava.

Aupamanyava/Upamanyu Gotra

Upamanyu also is one of the gotras of Hindu brahmins. The people with Upamanyu gotra live in far western part of Nepal and eastern Parts of Jammu & Kashmir. They are basically present just below the Mount Kailash as they pray to Lord Shiva only. However, according to Dr D. C. Sircar, Upamanyu gotra is not found in early Sanskrit literature and it is difficult to determine at this time whether it is a mistake for Aupamanyava gotra.

Prof B. N. Datta comments: “…In the list of Brahmana gotras mentioned in the Matsya-Purana , the name of (Kamboja) Aupamanyava is to be found. It is said to be an offshoot of the Vrigu (Parasara) gotras. This means that a Rishi hailing from the Kamboja tribe was also founder of a Brahmanical class…….Weber says that the appearance of the name of Kamboja (an Indian sounding name in Vedic text) as a Sama theologian is analogous of the discovery of the name of Gautama in Zoroastrian Mithra-Yesht. Upamanyu was of Kamboja descent, and Ushtaxri (Sati Austrakshi) was probably of Bactrian origin. Further, the name of prominent Rishi like Atharva sounds like Atharavan or Atharvan, the Persian fire-cult priest. The names of Atharva and Angirasa are connected with the introduction of fire-cult amongst the Vedic people. In this case, we find another infiltration of the foreign element (Kambojas etc) in the ethnic composition of the Vedic Aryas”.

Atri

In Hinduism, Attri (Sanskrit: अत्रि) or Atri is a legendary bard and scholar, and a son of Brahma, said to be ancistor of some Brahmin & Vaishya community (who adopt Atri as their gotra) and in addition, many others use surnames linked with the place of their origin, for example Jhunjhunwala, Vishnoi, Kedia, Gindodiya, Kalothia, Dokania, Lohia, etc. Atri is the Saptarishis (Seven Great Sages Rishi) in the seventh, i.e. the present Manvantara

Atri Rishi, or Sage Atri, is a revered figure in Hindu mythology and one of the Saptarishis (seven great sages). He is known for his great wisdom, penance, and contributions to Vedic literature. Atri is considered one of the mind-born sons of Lord Brahma, the creator in Hindu cosmology.

Atri Rishi is mentioned in various Hindu scriptures, including the Rigveda, where hymns attributed to him can be found. He is also known for his wife, Anasuya, who is revered for her chastity and devotion. The couple has three sons, who are also important figures in Hindu mythology: Dattatreya, Durvasa, and Chandra.

Atri Rishi’s devotion and penance are often highlighted in Hindu stories, and he is regarded as a symbol of self-discipline and spiritual wisdom. The Atri Gotra, a lineage or clan in Hinduism, is believed to be descended from Atri Rishi.

Atreya

“Atreya” refers to individuals associated with the lineage of the sage Atri in Hinduism. Atri is one of the ancient sages (Rishis) mentioned in Hindu scriptures, and he is considered one of the Saptarishi, the seven great sages. The descendants or disciples of Atri are often referred to as Atreyas. Here are a few key points:

  1. Sage Atri: Atri is known for his devotion and penance. He is mentioned in various Hindu scriptures, including the Vedas and Puranas. Atri is the husband of Anasuya, who is renowned for her exceptional chastity and virtue.
  2. Atreya in Ayurveda: In the context of Ayurveda, the traditional system of medicine in India, “Atreya” is sometimes used to refer to the Atreya School. The Atreya School is one of the important schools of Ayurveda, and it is associated with the teachings of sage Atri. Atreya is considered one of the founding figures in Ayurveda, and the principles of this school have influenced the practice of traditional Indian medicine.
  3. Lineage: The descendants of Atri, including Atreya, played important roles in various mythological stories and events. Some notable figures from the Atreya lineage include Atreya himself, Chyavana, and Soma (Moon) from the Atri family.
  4. Atreya Gotra: In Hindu tradition, people often identify with a specific gotra, which is a lineage or clan associated with a sage or rishi. Atreya is one such gotra, and individuals who belong to the Atreya gotra trace their ancestry to the sage Atri.

Overall, the name “Atreya” is associated with a rich heritage in Hinduism, spanning from ancient mythological narratives to the field of traditional medicine. The influence of sage Atri and his descendants is found in various aspects of Hindu culture and knowledge.

An Atreya (आत्रेय) is a descendant of Atri, one of the great Hindu sages (rishis) whose accomplishments are detailed in the Puranas.

The descendents of Atri Rishi use Atreya as their surname just like many other Gotras, or clan names used by the Brahmin community of Hindus in India and Nepal. In Northern India, most Atreya Bhramins also prefer to use the Tyagi surname. Many of the Kshatriyas of South India also belong to this gotra.

Original Atreya gotri bramhin have migrated to East Indian state of Orissa which was in the ancient time known as Kalinga, Utkala/Utkal, South Kosal, Kongada, Odra Desha etc. All Oriya-Utkal Brahmins with surname Rath belong to the Atreya gotra.

Atharvan

Atharvan, in Hinduism, is associated with the Atharvaveda, one of the four Vedas, which are ancient sacred texts that form the foundation of Hindu religious and philosophical knowledge. Here are key aspects related to Atharvan:

  1. Atharvaveda: The Atharvaveda is the fourth Veda and is named after Atharvan. It is distinct from the other three Vedas (Rigveda, Samaveda, and Yajurveda) in that it contains a collection of hymns, spells, charms, and incantations used for various purposes, including healing, protection, and rituals. The Atharvaveda reflects a more diverse range of concerns compared to the other Vedas.
  2. Atharvan as a Sage: Atharvan is considered a sage and is often identified as the compiler or seer of the Atharvaveda. He is credited with the knowledge and transmission of the hymns contained in this Veda.
  3. Rishi Atharvan: The term “Atharvan” is also used to refer to a category of priests in ancient Vedic society. The Atharvans were responsible for performing rituals and ceremonies based on the knowledge found in the Atharvaveda.
  4. Atharva Shastra: The Atharvaveda contains practical knowledge related to everyday life, including aspects of healing, medicine, and protection against malevolent forces. This practical knowledge is often referred to as “Atharva Shastra,” and it is distinct from the more ritualistic and ceremonial focus of the other Vedas.
  5. Role in Rituals: While the Rigveda, Samaveda, and Yajurveda primarily focus on ritualistic hymns and sacrificial ceremonies, the Atharvaveda incorporates a broader spectrum of concerns, including aspects related to domestic rituals, marriage, childbirth, healing, and protection against negative forces.

The Atharvaveda and its associated traditions highlight the diversity of thought and practice within the Vedic literature. The inclusion of practical knowledge and the emphasis on healing and protection make the Atharvaveda a unique and valuable part of the Vedic corpus.

Astika

Astika, in Hindu mythology, is known for his role in the story of the churning of the ocean (Samudra Manthan), a significant episode in Hindu cosmology. Here are key aspects related to Astika:

  1. Background in Mahabharata: Astika is prominently featured in the Indian epic Mahabharata. He was the son of Jaratkaru, a sage who chose to remain celibate but agreed to marry upon the request of his ancestors. Astika was born to Jaratkaru and his wife, who was a serpent princess.
  2. Churning of the Ocean (Samudra Manthan): The story of Astika is closely linked to the churning of the ocean by the Devas (celestial beings) and Asuras (demons) to obtain the nectar of immortality (amrita). The churning caused the emergence of various divine and mythical objects, including the poison Halahala. Lord Shiva consumed the poison to save the world, and Astika played a crucial role in ensuring Shiva’s actions did not lead to widespread destruction.
  3. Sacrifice of Janamejaya: Astika’s role is significant in the context of a snake sacrifice (Sarpa Yajna) performed by King Janamejaya, the son of Maharaja Parikshit. The purpose of the sacrifice was to exterminate all snakes, and it posed a threat to the serpent race. Astika intervened and used his knowledge and persuasion to prevent the complete destruction of the snakes.
  4. Vaisakhi Festival: In some regions of India, the festival of Vaisakhi is celebrated as a remembrance of Astika stopping the snake sacrifice. This festival is associated with the worship of snakes and is considered auspicious for the prevention of snake bites.

Astika’s character is often praised for his wisdom, virtue, and his role in preventing harm to the serpent race during the sacrificial ritual. His story is an integral part of Hindu mythology, emphasizing the importance of balance and dharma (righteousness) in the cosmic order.

Astika was an ancient Hindu rishi (sage), and he was a son of Jaratkaru by the serpent goddess Manasa – a sister of the great serpent king Vasuki. According to the Mahabharata, he saved the life of a serpent named Takshaka when king Janamejaya made his great sacrifices of serpents. Ultimately, he induced and prevailed upon the king to end his persecution of the serpent race.

Ashtavakra

Ashtavakra is a significant figure in Hinduism, particularly known for the Ashtavakra Gita, a revered scripture that is part of the Indian epic Mahabharata. Here are some key points about Ashtavakra:

  1. Ashtavakra Gita: The Ashtavakra Gita is a dialogue between the sage Ashtavakra and King Janaka. Unlike many other scriptures, the Ashtavakra Gita is unique in that it primarily focuses on the nature of the self (Atman) and the ultimate reality (Brahman). It is a philosophical and spiritual discourse that explores the nature of existence, consciousness, and liberation (moksha).
  2. Crippled Sage: The name “Ashtavakra” is derived from the circumstances of his birth. According to legend, Ashtavakra was born with eight physical deformities or bends (ashta – eight, vakra – bend), making his body twisted in eight places. Despite his physical appearance, Ashtavakra was highly wise and knowledgeable.
  3. Encounter with King Janaka: The Ashtavakra Gita is set in the court of King Janaka, a wise and enlightened king. Ashtavakra challenges Janaka’s understanding of spiritual truths and engages in a profound philosophical discussion with him. The dialogue covers various aspects of life, reality, and the self.
  4. Philosophy: Ashtavakra’s teachings in the Ashtavakra Gita emphasize the non-dualistic (advaita) nature of reality, asserting that the ultimate truth is the oneness of the individual soul (Atman) with the cosmic consciousness (Brahman). The text is highly regarded for its profound insights into the nature of existence and the path to spiritual realization.
  5. Influence on Advaita Vedanta: The Ashtavakra Gita has had a significant impact on the development of Advaita Vedanta, a major school of Hindu philosophy that advocates the non-dualistic understanding of reality.

Ashtavakra is remembered as a wise sage whose teachings continue to inspire seekers on the path of self-realization and spiritual understanding. The Ashtavakra Gita is considered a classical text on the philosophy of Advaita Vedanta.

Ashtavakra was a sage in ancient India. Ashtavakra, also spelt as Ashtaavakra in Sanskrit:अष्‍टवक्र means “eight bends”. Ashta means eight. Vakra means bend or deformity.

In ancient India, the sage Ashtavakra was known to be a very intelligent and spiritually well-advanced rishi who realized self or Atman. More information about his birth and life comes from the Indian epic Ramayana. Sage Uddalaka ran a school (Ashram) teaching Vedic knowledge. Kahoda was one of his best disciples. Uddalaka was so pleased with him that he had his daughter Sujata married to him. Sujata, eventually got pregnant and in the natural desire of wanting her child to imbibe spirituality and intelligence, began to sit in the classes taught by Uddalaka and Kahoda, listening to their chanting of mantras.

In India, there is a belief that when expectant mothers expose themselves to spiritual teachings, the child in the womb hears it and gathers that knowledge and become a genius in that spiritual area after its birth. It was one day, as Kahoda recited the Vedas, and within hearing distance of the child growing in the womb, that it heard the recitation but, since it was already aware of the correct pronunciation of every syllable since its mother used to attend classes with rapt attention, whenever Kahoda pronounced a syllable wrong, the child in the womb squirmed in distress. Sujata informed Kahoda that he had pronounced the syllable wrongly as indicated by the child in the womb. This happened on eight occasions. Kahoda perceived this as arrogance on the part of something, yet to manifest itself in the world, and he cursed the foetus with eight deformities. So, when the baby was born, it had eight bends, was crooked in eight places. Naturally, he was named Ashtavakra (Eight Bends).

Around the time Ashtavakra was born, his father was invited to argue with the great philosopher, Bandi. In those days, philosophical arguments were commonplace and the best were invited to argue in the presence of the monarch Janaka. Bandi was supposedly the son of Varuna – the Lord of all water bodies – and was sent incognito to land to get rishes, or sages, to conduct a ritual that his father wanted to perform. Bandi was well known as a philosopher and easily defeated Kahoda. As per the rules of the contest, Bandi’s victims had to ‘drown’ themselves in the river nearby (Ganges?). Nobody knew of Bandi’s real identity or his intention in demanding that his victims should submerge in the river. Kahoda, too, lost the argument and had to submerge himself in the river. Ashtavakra was therefore raised by Uddalaka and his disciples and within a short time mastered everything that was expected of a ‘Brahmin’. Uddalaka and his disciples took pains to see that Ashtavakra was always kept in the dark about the fate of his father. However, Ashtavakra came to know the truth when his young uncle, Shwetaketu advertently, blurted out that the person who Ashtavakra thought was his father, was, in fact, not his father. Ashtavakra then demanded the truth from his mother and decided to confront Bandi and defeat him in an argument.

Ashtavakra then made his way to the King’s palace and presented himself as a challenger. The kind-hearted King could not bear the thought of someone so young losing to Bandi and meeting the same fate as countless other Brahmins and tried to dissuade the young boy. Ashtavakra, was, however adamant, and after an initial test, Janaka decided to let him face Bandi. Ashtavakra won the argument and demanded that Bandi restore to life all the sages and Brahmins he had forced to be drowned. One of the conditions of the contest was that if Bandi loses he would grant any wish of his vanquisher. By this time, Varuna’s ritual was also complete and he had rewarded all the sages and Brahmins and so when Bandi was defeated, he revealed his true identity and the reason behind the ‘drowning’ of his victims. At Bandi’s request, Varuna bade the sages and Brahmins farewell and brought them to surface. Kahoda was extremely pleased with his son’s intelligence and knowledge.

Later Ashtavakra grew into a spiritually advanced rishi and realised Atman. He went to Mithila and instructed King Janaka about the concept of Atman. These teachings form the content of the Ashtavakra Gita or Ashtavakra Samhita as it is sometimes called.