Druvasa

Druvasa, also spelled Durvasa or Durvasas, is a well-known and sometimes notorious sage in Hindu mythology. He is considered one of the incarnations of Lord Shiva’s anger. Druvasa is renowned for his extreme temper and the curses he is said to have bestowed upon various individuals. Here are key points associated with Druvasa:

  1. Parentage: Druvasa is often described as the son of Atri, one of the Saptarishi (seven great sages). Atri is known for his deep penance and devotion.
  2. Curse on Shakuntala: In the Mahabharata, there is a famous incident involving Druvasa and the character Shakuntala. Shakuntala, the daughter of the sage Vishwamitra and the apsara Menaka, was cursed by Druvasa due to an unintentional slight. As a result of the curse, King Dushyanta, Shakuntala’s husband, forgot her until he saw the ring he had given her.
  3. Ambarisha’s Story: Another well-known story involves King Ambarisha, a devoted worshiper of Lord Vishnu. Druvasa felt challenged when Ambarisha’s devotion surpassed his own. In a fit of rage, Druvasa created a demon to harm Ambarisha. However, the Sudarshana Chakra, the divine discus of Vishnu, protected Ambarisha. In response, Lord Vishnu became angry with Druvasa for attacking his devotee. Druvasa had to seek forgiveness from Ambarisha.
  4. Druvasa and Draupadi: Perhaps one of the most famous incidents involving Druvasa is found in the Mahabharata. Once, during the Pandavas’ exile, Druvasa visited them with several disciples. Draupadi had nothing to offer them, as the Pandavas were in a state of penury. In a moment of desperation, Draupadi prayed to Lord Krishna, who miraculously provided food. Druvasa and his disciples were satisfied, preventing a potential disaster.
  5. Boons and Curses: Druvasa is said to have received many boons from various deities due to his austerities. However, his quick temper often led to curses being pronounced, sometimes even against those who sought his blessings.
  6. Final Pilgrimage: In some accounts, it is mentioned that Druvasa undertook a pilgrimage to various holy places and ultimately attained liberation.

Druvasa’s character serves as a reminder of the power of austerities and the need for self-control. His stories highlight the importance of humility and devotion, as well as the consequences of unbridled anger. Despite his short temper, Druvasa is also revered as a great sage and a master of mystical knowledge.

In Hindu mythology, Durvasa (दुर्वास in Devanagari or durvāsa in IAST, pronounced [d̪urʋɑːsɐ] in classical Sanskrit), or Durvasas, was an ancient sage, the son of Atri and Anasuya. He is supposed to be an incarnation of Shiva.[1][2][3][4][5] He is known for his short temper. Maledictions or curses he gave in his rage ruined many lives. Hence, wherever he went, he was received with great reverence (out of fear) from humans and Devas alike. He is commonly portrayed as desiring to enjoy others’ hospitality, and becoming exceedingly angry when hosts display any sort of impropriety or fail to please him as a guest. Conversely, hosts who serve him well are often blessed by him.

Durvasa is also known as one who wore torn/tattered clothes and purposely belittled himself to bring out the greatness of the devotees of the Lord. That is why he is also known as Bhagavan Durvasa.

Birth
According to Chapter 44 of the Brahmananda Purana, Brahma and Shiva once got into a heated quarrel. So violent was Shiva’s rage as a result of this quarrel, that the Devas fled from his presence in fear. His consort, Parvati, complained that Shiva was now impossible to live with. Realising the disharmony his anger had caused, he decided to deposit this anger into Anasuya, the wife of sage Atri. From this portion of Shiva deposited into Anasuya, a child was born, who was named Durvasa (literally, one who is difficult to live with). Because he was born of Shiva’s anger, he had an irascible nature.

The Bhagavata Purana gives a somewhat different account of Durvasa’s birth. In this version, Atri performed severe penance to propitiate the Supreme Being in order to obtain a son by Anasuya who would be just like Him. Pleased with him, Brahma, Vishnu, and Shiva (being but different manifestations of the Supreme) blessed the sage that portions of themselves would be born as his sons. In due course, Anasuya bore Soma (Brahma’s incarnation), Dattatreya (Vishnu’s), and Durvasa (Shiva’s).

Role in the Churning of the Ocean
In the Vishnu, Vayu, and Padma Puranas, a curse that Durvasa laid upon Indra is described as the indirect reason for the famous churning of the ocean. The Bhagavata and Agni Puranas also mention Durvasa’s involvement in the episode in passing, without going into the details. Other sources for this story, such as the Ramayana, Mahabharata, Harivamsa, and Matsya Purana, do not mention Durvasa’s involvement at all, and ascribe the incident to other causes, such as the Devas’ and Asuras’ desire for immortality.

The story in the Vishnu Purana goes that Durvasa, while wandering the earth in a state of ecstasy due to a vow of insanity he was observing, came by a Vidyadhari (a nymph of the air) and demanded of her a heavenly wreath of flowers she was wearing. The nymph respectfully gave the garland to the sage, whereupon he wore it on his brow. Resuming his wanderings, the sage came across Indra riding his elephant, Airavata, attended by the gods. Durvasa, still in his state of frenzy, threw the garland at Indra, who caught it and placed it on Airavata’s head. The elephant was irritated by the fragrance of the nectar in the flowers, so it threw the garland to the ground with its trunk. Durvasa was enraged to see his gift treated so callously and cursed Indra that he would be cast down from his position of dominion over the three worlds, just as the garland was cast down. Indra immediately begged Durvasa’s forgiveness, but the sage refused to retract or even soften his curse, and went on his way. Because of the curse, Indra and the Devas were diminished in strength and shorn of their lustre. Seizing this opportunity, the Asuras led by Bali waged war against the gods. The gods were routed and turned to Brahma for help. Brahma directed them to seek refuge with Vishnu. Vishnu in turn, advised them to call a truce with the Asuras and work together with them to churn the Milky Ocean and obtain the Nectar of Immortality, on the pretext of sharing it with them. Vishnu promised that he would ensure only the Devas drank the Nectar and obtained immortality so they could once again defeat the Asuras. The Devas took Vishnu’s advice and called their truce with the Asuras, and thus did the gods and demons begin planning their great enterprise.

Meeting with Ambarisha
Sage Durvasa’s confrontation with Ambarisha is a famous story from the Bhagavata Purana. Ambarisha was a great devotee of Vishnu and adhered firmly to the truth. He performed a Yagnya with such great devotional fervour that Narayana was pleased to bless him with his Sudarshana Chakra (“Sudarshana” meaning “good-looking” or “beautiful”), as a shield of protection over him. Once, Ambarisha performed a religious rite known as the Ekadashi and Dvadashi Vrata, for 1 year (i.e. the king would fast on the 11th day of every lunar month, and break his fast the next day). After observing this practice for a year, he took up a final fast of 3 days and nights to conclude the rite. As the moment for breaking this fast drew near, sage Durvasa arrived where Ambarisha was and the king received him with due respect. Durvasa agreed to the king’s request to be his honoured guest, and asked the king to wait until he had finished his bath in the river Yamuna. The auspicious moment soon arrived when the king had to break his fast to fulfill his vow, but Durvasa had not yet returned from his bath. Ambarisha was in a dilemma, as, on the one hand, it was impolite to take food before serving a guest, but on the other, the time had come for the fast to be broken. After consulting his priests, the king broke his fast by taking a sip of water, and awaited Durvasa’s arrival to offer him food.

Durvasa felt that Ambarisha had violated the respect due to a guest by breaking his fast before the guest had taken his meal, and in his rage created a demon to kill Ambarisha, out of a strand of his hair. Narayana’s Sudarshana Chakra intervened, destroyed the demon and started chasing Durvasa himself. Durvasa went to Brahma and Shiva for protection. Both pleaded their inability to save him. Durvasa next went to Narayana himself, who said that he could do nothing as he was bound by the blemishless devotion of Ambarisha and suggested that the sage seek the king’s pardon. Durvasa took this adivce and returned to Ambarisha, who prayed to Vishnu to recall the Sudarshana and save the sage, whereby the discuss ceased to afflict him.

However, a different story is given in the Shiva Purana.[citation needed] Ambarisha ended his vrata before serving Durvasa his meal and thus insulted sage, who was angered and decided to kill him. To protect Ambarisha, the Sudarshana came, but on seeing that Durvasa was Shiva himself (portrayed in the Shiva Purana as the Supreme Being), it stopped. Then Nandi told Ambarisha that he should beg Durvasa for forgiveness as he was none other than Shiva, there to test the king. Recognising this, Ambarisha took Nandi’s advice and prayed to Durvasa, who, being gratified, blessed the king.

Durvasa and Shakuntala
In the Abhijñānashākuntala, written by Kalidasa, when the maiden Shakuntala ignored Durvasa’s demands to be welcomed as a guest because she was daydreaming about her lover, Dushyanta, he cursed her that her lover would forget her. Horrified, Shakuntala’s companions managed to mollify Durvasa, who softened the curse, saying that Dushyanta would remember Shakuntala when he saw the ring that he gave her as a token of their love. The sage’s curse came true of course, and was eventually lifted, just as he said it would be. By the end of the play, the two lovers are reconciled, and are happy to be together again, along with their son, Bharata.

Durvasa, Rama, and Lakshmana
In the Uttara Kanda of Valmiki’s Ramayana, Durvasa appears at Rama’s doorstep, and seeing Lakshmana guarding the door, demands an audience with Rama. At the time, Rama was having a private conversation with Death disguised as an ascetic. Before the conversation began, Death gave Rama strict instructions that their dialogue was to remain confidential, and anyone who entered the room and saw or heard them was to be executed. Rama agreed and entrusted Lakshmana with the duty of guarding his door and fulfilling his promise to Death. Thus, when Durvasa made his demand, Lakshmana politely asked the sage to wait until Rama had finished his meeting. The sage grew angry and threatened to curse all of Ayodhya if Lakshmana did not immediately inform Rama of his arrival. Lakshmana, in a dilemma, decided it would be better that he alone die to save all of Ayodhya from falling under Durvasa’s curse, and so interrupted Rama’s meeting to inform him of the sage’s arrival. Rama quickly concluded his meeting with Death and received the sage with due courtesy. Durvasa told Rama of his desire to be fed, and Rama fulfilled his guest’s request, whereupon the satisfied sage went on his way. Rama was overcome with sorrow, for he did not want to kill his beloved brother, Lakshmana. Still, he had given his word to Death and could not go back on it. He called his advisers to help him resolve this quandary. On Vasishta’s advice, he ordered Lakshmana to leave him for good, since such abandonment was equivalent to death as far as the pious were concerned. Lakshmana then went to the banks of the Sarayu, resolved on giving up the ghost via Yoga. Unseen by anyone, Indra took him to heaven.

Durvasa and Kunti
In the Mahābhārata, Durvasa is known for granting boons to those who had pleased him, particularly when he had been served well as an honoured guest. An example of such behaviour is the episode between him and Kunti (the future wife of Pandu and mother of the Pandavas). When Kunti was a young girl, she lived in the house of her adopted father, Kuntibhoja. Durvasa visited Kuntibhoja one day, and sought his hospitality. The king entrusted the sage to his daughter’s care and tasked Kunti with the responsibility of entertaining the sage and meeting all his needs during his stay with them. Kunti patiently put up with Durvasa’s temper and his unreasonable requests (such as demanding food at odd ours of the night) and served the sage with great dedication. Eventually, the sage was gratified. Before departing, he rewarded Kunti by teaching her Atharva Veda Mantras which enabled her to invoke any god of her choice to beget children by them. It was by the use of this mantra that she was able to call the following gods:

  • Surya – He blessed her with a son named Karna, the unknown eldest Pandava
  • Dharma or Yama – He blessed her with a son named Yudhisthira, most righteous of the Pandavas.
  • Vayu – He blessed her with a son named Bhima, of great strength
  • Indra – He blessed her with a son named Arjuna, the great archer
  • The twin Ashvins – They blessed Madri (Pandu’s second wife) with beautiful twins named Nakula and Sahadeva.

Protecting Draupadi’s Modesty
Contrary to the more famous Mahābhārata version of Dushasana’s attempted disrobing of Draupadi, the Shiva Purana (III.19.63-66) attributes her miraculous rescue to a boon granted by Durvasa. The story goes that the sage’s loincloth was once carried away by the Ganga’s currents. Draupadi quickly tore a piece of her garment to cover him. The sage was pleased with her. He granted Draupadi a boon which caused an unending stream of cloth to cover her when Dushasana was trying to strip her in Hastinapura’s royal dice-hall.

Durvasa and Duryodhana
Another example of Durvasa’s benevolent side is the incident when he granted Duryodhana a boon. During the Pandavas’ exile, Durvasa and several disciples arrived at Hastinapura, and were gratified by Duryodhana’s devoted hospitality. Durvasa was pleased enough to grant him a boon. Duryodhana, secretly wanting Durvasa to curse the Pandavas in anger, asked the sage to visit his cousins in the forest after Draupadi had eaten her meal, knowing that the Pandavas would then have nothing to feed him.

Visiting the Pandavas
So Durvasa and his disciples visited the Pandavas in their hermitage in the forest, as per Duryodhana’s request. During this period of exile, the Pandavas would obtain their food by means of the Akshaya Patra, which would become exhausted each day once Draupadi finished her meal. Because Draupadi had already eaten by the time Durvasa arrived that day, there was no food left to serve him, and the Pandavas were very anxious as to their fate should they fail to feed such a venerable sage. While Durvasa and his disciples were away bathing at the river, Draupadi prayed to Krishna for help. Krishna immediately appeared before Draupadi saying he was extremely hungry, and asked her for food. Draupadi grew exasperated and said she had prayed to Krishna precisely because she had no food left to give. Krishna then told her to bring the Akshaya Patra to him. When she did, he partook of the lone grain of rice and piece of vegetable that he found stuck to the vessel and announced that he was satisfied by the “meal”. This satiated the hunger of Durvasa and his disciples, as the satisfaction of Krishna (portrayed here as the Supreme Being who pervades the entire Universe) meant the satiation of the hunger of all living things. The sage Durvasa and his disciples then quietly left after their bath, without returning to the Pandavas’ hermitage, for they were afraid of facing what they thought would be the Pandavas’ wrathful reaction at their impolite behaviour of refusing the food that would be served to them.

Durvasa and Swaminarayan
According to the followers of Swaminarayan Hinduism, Narayana took birth as the saint Swaminarayan due to a curse by Durvasa. The story goes that shortly after Krishna’s passing, Uddhava proceeded to Badarikashram, the abode of Nara-Narayana. He joined the many divine sages and saints who were there listening to Narayana’s discourses. As Narayana was speaking, Durvasa arrived at the assembly from Mount Kailash, but no one noticed him because they were all so engrossed in the discourse. He waited one Ghadi for someone to welcome him with the respect he felt he was entitled to, but still no one realised he was there. Seeing no one rise to receive him, he took this as an insult and cursed the entire assembly, saying that they would all be born as humans and suffer insults and agony from the wicked. Nara-Narayana’s parents, the god Dharma and goddess Bhakti, pacified Durvasa, who then softened his curse saying that Narayana Himself (again, represented here as the Supreme Being) would be born as Dharma and Bhakti’s son, and His birth would relieve them all from the clutches of evil. So saying, Durvasa made his way back to Kailash.

Dharma and Bhakti were eventually born as Hariprasad Pande (a.k.a Dharmadev) and Premvati Pande (a.k.a. Bhaktidevi). Sure enough, Narayana was born as their son, named Ghanshyam, who is now known as Swaminarayan.

Divodasa

Divodasa is a name associated with several individuals, and it appears in the Rigveda, an ancient collection of hymns that is a foundational text of Hinduism. One of the prominent figures with this name is King Divodasa, who is mentioned in the Rigveda. Here are key points associated with Divodasa:

  1. King Divodasa: In the Rigveda, Divodasa is mentioned as a king of the Bharata dynasty. He is described in several hymns, and some of these hymns are attributed to the sage Vasishtha. Divodasa had conflicts with the sage Vishwamitra, and the Rigveda contains hymns that depict the resolution of their disputes.
  2. Vasishtha and Vishwamitra Conflict: One of the notable episodes involving Divodasa is the conflict between the two powerful sages, Vasishtha and Vishwamitra. Divodasa played a role in resolving the disputes between these sages. The Rigveda contains hymns that describe the events surrounding these conflicts and their resolution.
  3. Contribution to Rigveda: The hymns associated with Divodasa, particularly those composed by Vasishtha, are part of the Rigveda. These hymns are considered important in the context of ancient Indian literature and history.
  4. Devotee of Varuna: In some hymns, Divodasa is praised as a devotee of Varuna, one of the Vedic deities associated with cosmic order and justice. The hymns reflect the religious and ritualistic aspects of the time.
  5. Historical Significance: The mention of Divodasa in the Rigveda is of historical significance as it provides insights into the socio-political context of ancient India. It offers glimpses into the relationships between rulers, sages, and deities during that period.
  6. Verses in Rigveda: The hymns associated with Divodasa can be found in various Mandals (books) of the Rigveda. The Rigveda, being one of the oldest texts in the Indo-European tradition, is a rich source for understanding the religious, cultural, and historical aspects of ancient India.

Divodasa’s role in the Rigveda is primarily as a historical and political figure involved in conflicts and resolutions with notable sages. The hymns associated with these events contribute to the religious and literary heritage of ancient India.

Divodāsa (“heaven’s servant”) is a name of a tribal king in the Rigveda (celebrated for his liberality and protected by Indra and the Ashvins in the Rigveda, RV 1.112.14; 1.116.18), the son of Vadhryashva RV 6.61.5. He is the father of the famous Sudas (RV 7.18.28) (of the Battle of the Ten Kings).

It is also the name of a king of Kashi surnamed Dhanvantari, founder of the Indian school of medicine.

Dirghatamas

Dirghatamas is the name of a sage mentioned in ancient Indian scriptures, particularly in the Rigveda, one of the oldest sacred texts of Hinduism. Dirghatamas is credited with composing hymns (suktas) in the Rigveda, and he is associated with a fascinating hymn known as the “Dirghatamas Sukta” found in the Rigveda Mandala 1, Sukta 140.

Here are some key points about Dirghatamas:

  1. Authorship of Hymns: Dirghatamas is traditionally attributed to several hymns in the Rigveda, and he is specifically associated with the aforementioned Sukta 140 in Mandala 1. This hymn is notable for its intricate and metaphorical language.
  2. Dirghatamas Sukta: The “Dirghatamas Sukta” is recognized for its poetic and enigmatic style. It is often considered one of the more challenging hymns in the Rigveda, and its verses are filled with symbolism and complex metaphors.
  3. Blind Sage: In some accounts, Dirghatamas is described as a blind sage. The blindness may be both physical and symbolic, representing spiritual insight or inner vision.
  4. Metaphors and Allegories: The Dirghatamas Sukta is known for its use of metaphors and allegories, making it a subject of interpretation and analysis. The hymn is sometimes considered a reflection on cosmogony, the origin of the universe, and the nature of reality.
  5. Dialogue with Indra: The Rigveda describes a dialogue between Dirghatamas and the god Indra in Sukta 140. The exchange is rich in symbolism and philosophical content, with Dirghatamas posing questions about the ultimate reality and the nature of the divine.
  6. Contribution to Vedic Literature: Dirghatamas, through his hymns, contributes to the rich tapestry of Vedic literature. The Rigveda is a collection of hymns composed by various sages, and each sage brings a unique perspective to the spiritual and philosophical exploration found in these ancient texts.

Dirghatamas remains an intriguing figure in Vedic literature, and the depth and complexity of his hymns make them subjects of scholarly study and interpretation. The Rigvedic hymns, including those attributed to Dirghatamas, continue to be a source of inspiration and contemplation in the study of ancient Indian philosophy and spirituality.

Dīrghatamas (Devanagari:दीर्घतमस) was an ancient sage well-known for his philosophical verses in the RgVeda. He was author of Suktas (hymns) 140 to 164 in the first Mandala (section) of the RgVeda.

Background

Dirghatamas was one of the Angirasa Rishis, the oldest of the Rishi families, and regarded as brother to the Rishi Bharadvaja, who is the seer of the sixth Mandala of the Rig Veda. Dirghatamas is also the chief predecessor of the Gotama family of Rishis that includes Kakshivan, Gotama, Nodhas and Vamadeva (seer of the fourth Mandala of the Rig Veda), who along with Dirghatamas account for almost 150 of the 1000 hymns of the Rig Veda. His own verses occur frequently in many Vedic texts, a few even in the Upanishads.

He was the reputed purohit or chief priest of King Bharata (Aitareya Brahmana VIII.23), one of the earliest kings of the land, after whom India was named as Bharata (the traditional name of the country).

Birth
Bhishma tells the narrative of the birth of Dirghatamas in the Mahabharata (book1, Adi Parva, CIV): “There was in olden days a wise Rishi of the name of Utathya. He had a wife of the name Mamata whom he dearly loved. One day Utathya’s younger brother Brihaspati, the priest of the celestials, endued with great energy, approached Mamata. The latter, however, told her husband’s younger brother—that foremost of eloquent men—that she had conceived from her connection with his elder brother and that, therefore, he should not then seek for the consummation of his wishes. She continued, ‘O illustrious Brihaspati, the child that I have conceived hath studied in his mother’s womb the Vedas with the six Angas, Semen tuum frustra perdi non potest. How can then this womb of mine afford room for two children at a time? Therefore, it behoveth thee not to seek for the consummation of thy desire at such a time. Thus addressed by her, Brihaspati, though possessed of great wisdom, succeeded not in suppressing his desire. Quum auten jam cum illa coiturus esset, the child in the womb then addressed him and said, ‘O father, cease from thy attempt. There is no space here for two. O illustrious one, the room is small. I have occupied it first. Semen tuum perdi non potest. It behoveth thee not to afflict me.’ But Brihaspati without listening to what that child in the womb said, sought the embraces of Mamata possessing the most beautiful pair of eyes. Ille tamen Muni qui in venture erat punctum temporis quo humor vitalis jam emissum iret providens, viam per quam semen intrare posset pedibus obstruxit. Semen ita exhisum, excidit et in terram projectumest. And the illustrious Brihaspati, beholding this, became indignant, and reproached Utathya’s child and cursed him, saying, ‘Because thou hast spoken to me in the way thou hast at a time of pleasure that is sought after by all creatures,perpetual darkness shall overtake thee.’ And from this curse of the illustrious Brishaspati Utathya’s child who was equal unto Brihaspati in energy, was born blind and came to be called Dirghatamas (enveloped in perpetual darkness). And the wise Dirghatamas, possessed of a knowledge of the Vedas, though born blind, succeeded yet by virtue of his learning, in obtaining for a wife a young and handsome Brahmana maiden of the name of Pradweshi. And having married her, the illustrious Dirghatamas, for the expansion of Utathya’s race, begat upon her several children with Gautama as their eldest.

Asya Vamasya Hymn
Dirghatamas is famous for his paradoxical apothegms[1]. His mantras are enigmas: “He who knows the father below by what is above, and he who knows the father who is above by what is below is called the poet.”

The Asya Vamasya (RgVeda 1.164) is one of the sages most famous poems. Early scholars (such as Deussen in his Philosophy of the Upanisads) tried to say that the poems of Dirghatamas were of a later nature because of there content, but this has no linguistic support which has been argued by modern Sanskrit scholars (such as Dr. C. Kunhan Raja in his translation of the Asya Vamasya Hymn). The reason earlier western scholars believed it was of a later origin is because of the monist views found there. They believed that early Vedic religion was pantheistic and a monist view of god evolved later in the Upanisads- but the poems of Dirghtamas (1.164.46) which say “there is One Being (Ekam Sat) which is called by many names” proves this idea incorrect.

Earliest Mention of the Zodiac

Some scholars have claimed that the Babylonians invented the zodiac of 360 degrees around 700 BCE, perhaps even earlier. Many claim that India received the knowledge of the zodiac from Babylonia or even later from Greece. However, as old as the Rig Veda, the oldest Vedic text, there are clear references to a chakra or wheel of 360 spokes placed in the sky. The number 360 and its related numbers like 12, 24, 36, 48, 60, 72, 108, 432 and 720 occur commonly in Vedic symbolism. It is in the hymns of the Rishi Dirghatamas (RV I.140 – 164) that we have the clearest such references.
[edit] Famous Sayings

A number of famous sayings originate from the verses of Dirghatamas.

Another one bites the dust The first time the phrase “bites the dust” appears is in the Rgveda (1.158.4-5) where the poet Dirgatama has a prayer to the divine doctors and says ‘may the turning of the days not tire me, may the fires not burn me, may I not bite the earth, may the waters not swallow me’. There are disputes on what “bites the dirt” means in sayana’s commentary in the 14th century- which means the phrase had gone out of style in India at this time as most people began to be cremated instead of buried. But we can see Dirgatama is using it as a prayer from death- such as don’t let me die and be burned, or die and be buried, or die and be thrown in the river. [Dust and dirt are often used interchangeably in old translations]

That said, the meaning of bites the dust would be – to die and be buried in the earth. It can also be used figuratively as something that has failed (or is in a state where it is as if it was dead and buried). Another one bites the dust is another one dead and buried- or another one finished

Devala

Devala is the name of several sages mentioned in Hindu mythology. The term “Devala” is often used as a title for a sage or an ascetic, and various sages with this name are associated with different stories and scriptures. Here are a couple of notable Devalas mentioned in Hindu tradition:

  1. Devala Rishi: Devala Rishi is mentioned in the Mahabharata and other Puranic texts. He was a sage known for his wisdom and knowledge of Dharma (righteousness). Devala Rishi played a role in the Mahabharata, advising King Yudhishthira on matters of morality and justice. His teachings often emphasized the importance of virtue and adherence to ethical principles.
  2. Devala Muni: Another sage named Devala is mentioned in the Ramayana. Devala Muni was a respected sage who had interactions with Lord Rama during the events of the Ramayana. He provided guidance and support to Rama in various situations. In one instance, Devala Muni informed Rama about the auspicious time to perform the Ashwamedha Yajna (horse sacrifice) after Rama’s victory over Ravana.

It’s important to note that the term “Devala” is not limited to these instances, and there may be other sages or individuals with the same name mentioned in various Hindu texts. The diversity of Hindu mythology and scriptures often results in multiple figures sharing the same or similar names, each contributing to different stories and teachings.

In Hinduism, Devala was one of the great rishis or sages. He is acknowledged to be a great authority like Narada and Vyasa and is mentioned by Arjuna in Bhagavad Gita.

Dattatreya

Dattatreya is a revered figure in Hinduism, encompassing the aspects of the trinity of Brahma, Vishnu, and Shiva. He is considered a sage, yogi, and an incarnation of the divine. The name Dattatreya is derived from the Sanskrit words “Datta,” meaning “given,” and “Atreya,” referring to the lineage of the sage Atri. Here are key aspects associated with Dattatreya:

  1. Trinity Incarnation: Dattatreya is often regarded as an embodiment or combined form of the Hindu trinity—Brahma, Vishnu, and Shiva. As such, he represents the unity of the three principal deities in Hinduism.
  2. Birth and Parentage: According to certain Hindu traditions, Dattatreya is said to have been born to the sage Atri and his wife Anasuya. In some versions of the story, he is born from a divine union of the trinity, each contributing a part of themselves to his being.
  3. Iconography: Dattatreya is typically depicted with three heads, symbolizing the trinity, and six arms. He may carry various symbolic items, including a conch shell, a discus, a trident, a begging bowl, and a staff. His iconography varies across different regions and traditions.
  4. Yogi and Ascetic: Dattatreya is often portrayed as a wandering ascetic and yogi, reflecting the ideal of detachment and renunciation. His life serves as an inspiration for seekers on the path of spirituality.
  5. Guru Tradition: Dattatreya is associated with the Guru tradition in Hinduism. He is considered the Adi Guru, or the first teacher, and is revered by various sects and spiritual communities as a divine guide.
  6. Avadhuta Gita: Dattatreya is traditionally credited with the composition of the “Avadhuta Gita,” a sacred text that explores profound philosophical and spiritual concepts. The Avadhuta Gita is considered one of the classic texts of Advaita Vedanta.
  7. Worship and Festivals: Devotees of Dattatreya celebrate various festivals in his honor, such as Datta Jayanti. Pilgrimage sites associated with Dattatreya, such as the Dattatreya Temple at Gangapur in Maharashtra, attract devotees from different parts of India.
  8. Dattatreya in Other Traditions: Dattatreya is also recognized in other Indian religious traditions, including Jainism and Natha Sampradaya. In some traditions, he is associated with the concept of the “Divine Guru” and is venerated as a spiritual guide.

Dattatreya’s multifaceted nature reflects the synthesis of diverse aspects of the divine. He is revered for his teachings on the path of self-realization, detachment, and the ultimate unity of all existence. The worship of Dattatreya continues to be an integral part of the spiritual landscape in India.

Dattatreya (Sanskrit: दत्तात्रेय, Dattātreya) or Datta is considered by Hindus to be god who is an incarnation of the Divine Trinity Brahma, Vishnu and Shiva. The word Datta means “Given”, Datta is called so because the divine trinity have “given” themselves in the form of a son to the sage couple Atri and Anasuya. He is the son of Atri, hence the name “Atreya.”

In the Nath tradition, Dattatreya is recognized as an Avatar or incarnation of the Lord Shiva and as the Adi-Guru (First Teacher) of the Adinath Sampradaya of the Nathas. Although Dattatreya was at first a “Lord of Yoga” exhibiting distinctly Tantric traits,[citation needed] he was adapted and assimilated into the more ‘devotional’ (Sanskrit: bhakti) Vaishnavite cults; while still worshiped by millions of Hindus, he is approached more as a benevolent god than as a teacher of the highest essence of Indian thought. Dattreya is the author of Tripura Rahasya given to Parsurama, best treatise on Advaita Vedanta.

Life
Though the Dattatreya of the Natha tradition coexisted and intermingled with the Puranic, Brahmanical tradition of the Datta sampradaya, here focus is almost exclusively on the earlier Tantric manifestation of Datta.[citation needed]

Birth
Sage Narada praised Anusuya’s “pativratyam” (Devotion to her husband) a lot before the wives of Brahma-Vishnu-Shiva making them jealous of her. They requested their husbands to reduce her pativratyam. Brahma, Vishnu and Shiva went to Anusuya as guests when Atri was not there at home and asked her to serve them food. When she agreed to do so, they said that they will accept her alms on the condition that she serves them without wearing clothes. Anasuya falls into a dilemma. If she comes without clothes in front of other men her pativratyam will be reduced. If she refuses then that is dishonour to the guests and they can take away all the power of Atri. Anasuya felt that the three guests who asked such a strange favour are not normal people since they are trying to place her in a tricky situation. Anasuya prayed to her husband in her mind and said that she doesn’t have any fear serving them without clothes as she is not affected by lust. Since the guests asked for alms saying “Bhavati Bhikshan Dehi” (Oh Mother! Give us some food) and indirectly called her a mother. She decided that she will consider them as her children and serve them as requested. Because of her greatness and as per her thinking by the time she came to serve food the three gods became small children and her breasts started producing milk. She then breastfed them and put them to sleep in a cradle. Atri came back afterwards and hearing the story from Anasusuya praised the three gods sleeping in the cradle. They woke up in their original form and praised Anasuya’s pativratyam and gave her a boon. Anasuya requested that these three should be born as her children—the incarnation of Shiva, Vishnu and Brahma as sage Durvasa, Dattareya and the moon-god Chandra.[citation needed] In Mahabharata,[1] Dattatreya is referred to as from the family tree of sage Atri rather than as son of sage Atri. The epic Shishupal Vadha (execution of Shishupala) of poet Magha also refers (14.79) to Dattatreya to be from Atri’s family tree and not as his son.

Travels
Dattatreya left home at an early age to wander naked in search of the Absolute. He seems to have spent most of his life wandering in the area between and including North Karnataka, through Maharashtra and Andhra Pradesh, and into Gujarat as far as the Narmada River. He attained realization at a place not far from the town now known as Gangapura in North Karnataka. The original footprints of Datta are believed to be located on the lonely peak at Girnar. The Tripura-rahasya refers to the disciple Parasurama finding Datta meditating on Gandhamadana mountain.

Gurus
According to Brahma Purana, after an order from his father, sage Atri, Dattatreya sat on the banks of river Gautami and prayed to Shiva and finally earned the Brahmagyaan (Eternal Knowledge). This is possibly the reason why Dattatreya is considered as Adisiddha in Nath Sampradaya.

In the Uddhava Gita a song embedded in the Bhagavata Purana, there is a story of Dattatreya sung by Krishna which enumerates a list of his twenty-four gurus: earth, air, sky or ether, water, fire, sun, moon, python, pigeons, sea, moth, bee, bull elephant, bear, deer, fish, osprey, a child, a maiden, a courtesan, a blacksmith, serpent, spider, and wasp. The 24 Gurus of Dattateya come from the 24 gurus of Avadhut described in the Purana.

His disciples
The disciples of Dattatreya are: Kartavirya Arjuna, Parasuram, Yadu, Alarka, Ayu and Prahlad. These are known from Puranas. There is one more by name Sankruti described in Avadhutopanishad and Jaabaaldarshanopanishad.

As an avatar
In The Pathless Path to Immortality, Mahendranath writes:

“Shri Dattatreya was a dropout of an earlier age than the period when Veda and Tantra merged to become one simple cult. It was men like Dattatreya who helped to make this possible. Three of his close disciples were kings, one an Asura and the other two both belonging to the warrior caste. Dattatreya himself was regarded as an avatar of Maheshwara (Shiva) but later was claimed by Vaishnavites as the avatar of Vishnu. Not such a sectarian claim as it appears; Hindus regard Shiva and Vishnu as the same or as manifestations of the Absolute taking form.”[unreliable source?]

Indeed, the Dattatreya Upanisad, which opens proclaiming Dattatreya’s identity with Vishnu, ends with the mantra Om Namah Shivaya, identifying Datta with Shiva. In the last portion of the third chapter, Mahesvara (Shiva) alone is said to pervade reality and shine in every heart of man. He alone is in front, behind, to the left, to the right, below, above, everywhere the center. Finally, Mahesvara is identified with Dattatreya, depicting the latter as an Avatara of Shiva.

The nectar of the honey-bee
Rigopoulos (1998: p.xii) conveys the motif of the ‘”honey bee” Yogin’ (as an aside, the literary point of origin of this motif may be the Nad-Bindu Upanishad of the Rig Veda) common to nondual Dharmic Traditions and champions Dattatreya as the archetypal model of inclusionism and syncretism by implication:

“Furthermore, the unfolding of the Dattātreya icon illustrates the development of Yoga as a synthetic and inclusive body of ideologies and practices. Although fundamentally a jñāna-mūrti, Dattātreya is a “honey bee” Yogin: one whose character and teachings are developed by gathering varieties of Yoga’s flowers. For all religious groups whose propensity it is to include ideas, practices, and teaching from the ocean of traditions, Dattātreya is truly a paradigm.”

Iconography
Dattatreya is usually depicted with three heads, symbolising Brahma, Vishnu, and Shiva; past, present and future; creation, preservation and destruction; and the three states of consciousness: waking, dreaming and dreamless sleep. He is portrayed sitting in meditation with his shakti beneath the ‘wish tree’ (Sanskrit: Kalpavriksha) with the ‘wish cow’ (Sanskrit: Kamadhenu) attendant. In front of him is a ‘fire pit’ (Sanskrit: Agnihotra) or ‘pit’ (Sanskrit: homa) the receiver of the oblation of ‘sacrifice’ (Sanskrit: yajna), and around him are four dogs.

Dogs
Werness (2004: p.138) ventures the semiology of the four dogs each of a different colour oft-depicted in Dattatreya iconography as holding the valence of the four Vedas:

“Pre-Vedic Indian dogs were regarded as auspicious symbols, and later deities assumed dog forms, became associated with dogs, and were linked with the glory and fidelity of warriors. Four different-coloured dogs accompanied the Dattatreya, who represented the four Vedas…”.[3]

Dogs also held the cultural significance of ‘dog eaters’ (Sanskrit: candala) those who existed beyond the confines of Varnashrama Dharma. Dogs are also both wild, tame and symbols of fidelity and ‘devotion’ (Sanskrit: Bhakti).

Origins
Dattatreya is one of the oldest of the deities. The first reference of this deity is found in epics like Mahabharata[4] and Ramayana.

In the Dattatreya Upanishad which is a part of the Atharva Veda, he is described as being able to appear in the form of a child, madman, or demon in order to help his devotees achieve moksha, liberation from the bonds of worldly existence.[5]

The single head for Dattatreya can be explained if one sees the Tantric traditions which prevailed in India about 1000 years back. It was Gorakshanath who changed removed the aghori traditions and made the Nath sampradaya in the acceptable civil form of today. Dattatreya must have been a very powerful sage existing before this time and over the centuries sometime he was deified to the form of Dattatreya. The three heads have come definitely later in the last 900 years or so.[6]

Avatars
Dattatreya incarnation of the Divine Trinity Brahma, Vishnu and Siva and his avatars- Shripad Shri Vallabha, Sri Nrusimha Saraswati and Swami Samarth Maharaj.

Dattatreya is supposed to have taken 16 avatars. The names and their birthdate (as per the Lunar calendar) are given in brackets.

  1. Yogiraaj (Kaartik Shu.15)
  2. Atrivarad (Kaartik Kru.1)
  3. Dattatreya (Kaartik Kru.2)
  4. Kaalaagnishaman (Maargashirsha Shu.14)
  5. Yogijanvallabh (Maargashirsha Shu.15)
  6. Lilaavishambhar (Paush Shu.15)
  7. Siddharaaj (Maagh Shu.15)
  8. Dnyaasaagar (Faalgun Shu.10)
  9. Vishambhar (Chaitra Shu.15)
  10. Maayaamukta (Vaishaakh Shu.15)
  11. Maayaamukta (Jyeshtha Shu.13)
  12. Aadiguru (Aashaadh Shu.15)
  13. Shivarup (Shraavan Shu.8)
  14. Devdev (Bhaadrapad Shu.14)
  15. Digambar (Aashwin Shu.15)
  16. Krishnashyaamkamalnayan (Kaartik Shu.12)

There is a book written by Shri Vasudevananda Saraswati on these 16 avatars. In Dasopanta tradition, all 16 are worshiped and Dasopanta is considered as the 17th avatara.

In Datta Sampradaya the first avatar is Shripad Shri Vallabh and the second is Narasimha Saraswati. Also Akkalkot Swami Samarth, Shri Vasudevanand Saraswati (Tembe Swami, Sawantwadi)) Manik Prabhu, Krishna Saraswati , Shirdi Sai Baba (Shirdi, Maharashtra), Ganapathi Sachchidananda (Mysore, Karnataka) are considered as avatars of Dattatreya.

The Upanishads Avadhutopanishad and Jaabaaldarshanopanishad mention that the philosophy is given by Dattatreya.

Tripura Rahasya
The Tripura-rahasya (The Secret of [the goddess] Tripura) is believed to be an abbreviated version of the original Datta Samhita or Dakshinamurti Samhita traditionally ascribed to Dattatreya. This more lengthy work was summarized by Dattatreya’s disciple Paramasura, whose disciple, Sumedha Haritayana, scribed the text. Thus, this text is sometimes referred to as the Haritayana Samhita.

The Tripura-rahasya is divided into three parts. The first part, the Mahatmya Khanda or section on the goddess is concerned with the origin, mantra and yantra of the goddess Tripura, also known as Lalita or Lalita Tripurasundari. The Jnana Khanda or section on knowledge elaborates on the themes of consciousness, manifestation, and liberation. Unfortunately, the last part, Charya Khanda or section on conduct, has been lost and some believe destroyed.

In the Tantric tradition, the Tripuropastipaddhati is supposed to have been written by Shri Dattareya. This is mentioned in Tripurarahasya. The summary of tantra in the Parashuramkalpasutram is also supposed to have been written by Shri Dattatreya.

Avadhuta Gita
According to the International Nath Order of the Nath Sampradaya, the Avadhuta Gita is a distillation of the sublime realization sung by Dattatreya and transcribed by two of his disciples, Swami and Kartika.[8] Swami Vivekananda (1863-1902) held it in high esteem. Originally a work of seven chapters, a spurious and misogynistic eighth chapter may be a later attempt to append sexual morality to the Natha tradition by a conservative ascetic. Some of the ideas in this Gita are however common to both Shaivite, and Buddhist Tantras and Vaishnava Agamas.

Dattatreya traditions
Following are the various traditions of Dattatreya described in brief. Mainly the traditions are from Gujarath, Maharashtra, Karnataka and Andhra Pradesh. Considering the languagewise literature, they are from Gujarati, Marathi, Kannada and Telugu languages.[9]

Puranic tradition
The ancients disciples of Dattatreya are already described in the above sections. Among these, Karatavirya Sahasrajun was the most favourite of Dattatreya. The other ones are, Alarka (alias Madalasa-garbharatna), King Aayu from Somavansha, King Yadu (son of Yayaati and Devayaani) of Yadavs (Krishna’s dynasty) and Shri Parashurama alias Bhargava. There is one more by name Saankruti, who is mentioned in Avadhutopanishad and Jabalopanishad.

Shri Gurucharitra tradition
This tradition follows from Shripad Shrivallabha and Shri Narasimha Saraswati. Several very famous Datta-avatars are from this tradition. Some names are, Shri Janardanswami, Eknath, Dasopant, Niranjan Raghunath, Narayan Maharaj Jalwankar, Manik Prabhu, Swami Samarth, Sai Baba of Shirdi, Shri Vasudevananda Saraswati et al. The disciples of Shri Narasimha Saraswati were, Trivikrambharati from Kumasi, Sayamdev, Nagnath, Devrao Gangadhar and Saraswati Gangadhar from Kadaganchi. There are two major traditions started by Shri Swami Samarth of Akkalkot and Shri Vasudevananda Saraswati alias Tembe Swami and are described in their respective articles.

Niranjan Ragunath tradition
His original name was Avadhut, but his guru Shri Raghunathswami renamed him as Niranjan. He had several disciples in Maharashtra in Nashik, Junnar, Kalamb, Kolhapur, Meeraj etc, to name a few are Ramchandra Tatya Gokhale, Govindarao Nana Patwardhan-shastri etc. His heritage seems to have gone beyond Surat, Baroda, Girnar and north of Jhansi. The most famous disciple of Niranjan Raghunath is Narayan Maharaj Jalwankar. Narayan Maharaj mainly worked in Malva region. Sapta Sagar is one of his well known literature. Heritage continued with Shri Lakshman Maharaj. He was from Indore. Balbhim Maharaj Sadekar was his disciple. Balbhim Maharaj was an engineer living in Sadegaon. He called himself Gurupadicha veda i.e. Mad for Guru.

Shri Satguru Bhagirathinath Maharaj also hailed from Indore. She was born at Nashik in Kolhatkar family. She had attraction for god from early age. After Balbhim Maharaj, she faced strong opposition as people were not ready for a Woman Guru. She worked mainly for upliftment of ladies and poor needy people. She was master in Kirtanas. She wrote a drama Brahmatmabodh, a book Anandpadaver Chauda Chaukadyanche Rajya and many psams(Bhajans). Her disciples have migrated to England, America and Africa.She was constructed a big temple in Pune. The name of temple is Balbhim bhuvan.Bhalbhim is her loving and Kind Guru name.

Dattatreya Mahadev Cholkar was one of the blessed discliples of Bhagirathinath Maharaj. Although he was blind physically, he was very clever in his teaching methods. He wrote original Brahmatmabodh in poetic form. Bhagirathinath appreciated it, modified and rewritten it in simple text form. He written more than 4000 psams(unpublished). He was very good in kirtanas just like Bhagirathinath Maharaj.

Sri Dattatreya Mahadev Cholkar had constructed a huge temple in Yavatmal (Maharashatra). The name of Temple is Shri Bhagirathi Guru Mandir.Daily discourse and advait Kirtans and Programs conducted by Management of the Temple.’

Shri Satguru Samartha Madhurinath is also loving and studies disciple of Sri Dattatreya Mahadev Cholkar. She started preaching as Satguru in 1994. Being a professor by profession, she persuades uneducated as well as highly qualified people with equal ease. She demonstrates her disciples how to meditate with the divine and how to devote and serve the almighty in our daily routine life. Datta Bhagirathi Ogh, Biddhibodh, Bodhasaramrut, Mayavivaran and Shri Abhedbodh are her books written in marathi. Good Behaviour, a way to Universal Integrity is her admired book in English. Many knowledge seekers are benefitted from her even today. She lives in Gorai, Borivali which is in Mumbai and continues work of spreading awareness of almighty.

The philosophy of this tradition is mainly Bhagawat Dharma (religion), Sampradaya (sect) is attatreya and Marga (path) is Vihangam (Bird like).

Sakalmat Sampradaya tradition
The meaning of sakalmat is, all faiths are accepted (Sakala means All and mata means opinion, but here we have to take the meaning as faith). This is a form of Datta-sampradaya which is called Rajyogi or Royal type. Shri Chaitanya Dev is the main worshipped god here and this sampradaya one views gold, pearls, diamonds, expensive clothes and music, art etc as part of tradition. Here poor and rich are considered as the same. Thus all the materialistic items are viewed at par with nothing. The philosophy of this tradition is that there is no resistance to any kind of religious faiths in the world. All faiths are believed to give the ultimate godliness to its followers. This tradition was started by Shri Manik Prabhu of Humanabad. Hindus, Muslims and people of all castes are allowed here. Some disciples of this tradition are, Bapacharya, Narayan Dikshit, Chimnya Bramhachari, Gopalbua.[13]
[edit] Avadhut Panth tradition

The Avadhut panth or sect was started by Shri Pantmaharaj Balekundrikar of Balekundri near Belgaum. More information of the Avadhut philosophy and tradition is described in the article on avadhut. The main disciples of this tradition are, Govindaraoji, Gopalraoji, Shankarraoji, Vamanrao and Narasimharao. These are all called “Panta-bandhu”s i.e. Panta-brothers. This sampradaya is spread across Balekundri, Daddi, Belgaum, Akol, Kochari, Nerali, Dharwad, Gokak, Hubali.

In Gujarat
Girnar is a famous place in the Datta-sampradaya and is situated in Saurashtra, Gujarat. Shri Vamanbua Vaidya from Baroda is from the tradition of Shri Kalavit Swami. His philosophical tradition is furthered by Saswadkar, and Pattankar. The temple of Narasimha Saraswati in Baroda continues this tradition of Dattatreya devotion. The main Dattatreya devotees who spread the Datta-panth in Gujarat were Pandurang Maharaj of Naareshwar and Shrirang Avadhut. Gujarati books like Dattabavani and Gurulilamrut are quite famous. Dr. H. S. Joshi has written the book Origin and Development of Dattatreya Worship in India.

In Karnataka
The town of Ganagapur, where Dattatreya is said to have attained realization lies on the banks of River Bhima in Gulbarga district of North Karnataka.The following information is taken from the letters and articles written by late Shri Vishwanath Keshav Kulkarni-Hattarwatkar from Belgaum and one of the experts of Datta-tradition in Karnataka. Dattatreya tradition is quite rich in the adjacent states of Maharashtra. In fact the Gurucharitrakar Shri Saraswati Gangadhar was himself a Kannadiga. Other than him there have been numerous disciples and Dattatreya devotees from the northern part of Karnataka. Some famous names are Shridharswami, Narayanmaharaj from Kedgaon, SiddheshwaraMaharaj from Sadhoghat, Siddharudh Swami from Hubali et al.

Shripantamaharaj Balekundrikar has also written several Kannada poems on Dattatreya worship. Several places such as Borgaon, Chikodi, Kunnur, Sadalaga, Balekundri, Shahapur, Nipani, Hubali, Hangal, Dharwad etc have Dattatreya temples or some places have Narasimha temples who is also considered to be an incarnation of Dattatreya. In fact it appears that Shri Narasimha Saraswati and some of his disciples used to worship this form of Dattatreya.The Last Maharaja of Mysore, His Highness Sri.Jayachamaraja Wodeyar Bahadur has written a book,Dattatreya: The Way and the Goal in English. The book is written mainly to comment on Jeevanmuktageeta and Avadhutgeeta. The last chapter is A Critical Estimate of the Philosophy of Dattatreya where all the Dattatreya philosophy and work has been described in detail.

In Andhra Pradesh
The first avatara of Dattatreya, Shri Shripad Shrivallabha was from Pithapuram in Andhra Pradesh. As per the article by Prof. N. Venkatarao,[15] he describes several connections of Dattatreya tradition with those in Maharashtra. Maatapur or Mahur which is now located in Maharashtra was part of Telangana region in old days. The head of Mahur temple is called Dattatreya Yogi.

Around 1550 CE, Dattatreya Yogi taught the Dattatreya philosophy to his disciple Das Gosavi in Marathi. Das Gosavi then taught this philosophy to his two Telugu disciples Gopalbhatt and Sarvaved who studied and translated Das Gosavi’s book of Vedantavyavaharsangraha into Telugu language. According Prof. R. C. Dhere, DattatreyaYogi and Das Gosavi are the original gurus in the Telugu Dattatreya tradition. Prof. Rao states that Dattatreya Shatakamu was written by Paramanandateertha who is equally important in his contributions to the Telugu tradition of Dattatreya. He was a proponent of Advaita philosophy and dedicated his two epics, Anubhavadarpanamu and Shivadnyanamanjari to Shri Dattatreya. His famous Vivekachintamani book was translated into Kannada by Nijashivagunayogi and Lingayat saint Shanatalingaswami translated this into Marathi. :

The Telugu Nath parampara is Dattatreya-> Janardan -> Eko Janardan -> Naraharimahesh -> Nagojiram -> Koneruguru -> Mahadevguru -> Parashurampantul Lingamurthy and Gurumurthy. Dattatreyayogi tradition is, Dattatreyayogi -> Paramanandateertha

  • Sadanandayogi
    o Challasuraya
    o Ishwar Panibhatt
  • Dhenukonda Timayya
    o Mallan
  • Chintalingaguru
  • Yogananda
  • Timmaguru
  • Rambrahmendra
  • Kumbhampati Narappa

Dadhichi

Dadhichi, also spelled Dadhyanch or Dadhichi, is a figure in Hindu mythology known for his sacrifice and contribution to the gods. His story is often cited as an example of selflessness and devotion. Here are key points about Dadhichi:

  1. Sage Dadhichi: Dadhichi was a sage known for his great penance and knowledge. He was revered for his wisdom and ascetic practices.
  2. Sacrifice for the Gods: In a significant episode from Hindu mythology, the gods faced a formidable demon named Vritra who had become nearly invincible due to a boon. The gods realized that they needed a powerful weapon, the Vajra (thunderbolt), to defeat Vritra.
  3. Creation of Vajra: However, the gods also knew that the only material suitable for creating the Vajra was the spine (vertebrae) of a sage. Understanding the gravity of the situation and the need to defeat the demon, Dadhichi willingly decided to sacrifice his own life for the greater good.
  4. Self-Sacrifice: Dadhichi performed a selfless act of sacrificing his body, allowing the gods to use his spine to create the powerful weapon. This act demonstrated his supreme devotion to the welfare of the universe.
  5. Defeat of Vritra: With the Vajra created from Dadhichi’s spine, the gods, led by Lord Indra, successfully defeated the demon Vritra and restored balance to the cosmos.
  6. Admiration by the Gods: The gods were deeply moved by Dadhichi’s sacrifice and admired his selflessness. They revered him for his devotion and honored his memory.
  7. Other References: Dadhichi’s story is mentioned in various Puranas (ancient Hindu scriptures) and epics like the Mahabharata. His sacrifice is often cited as an example of the importance of selfless actions and putting the welfare of others above one’s personal interests.

Dadhichi’s story is celebrated in Hindu mythology as an embodiment of sacrifice and devotion to the greater good. His selfless act in providing his own body for the creation of a weapon to protect the cosmos is a poignant and revered episode in Hindu lore.

Dadhichi, also known as Dadhyancha, is an important character in Hindu Mythology. He is revered amongst the greatest of sages and is portrayed as an example that no sacrifice is too great when the result is the good of the world.Dadhichi is corrupt form of dadhyanch/dadhyang, and it is derived from “dhadhya” means curd in Sanskrit as pointed out by great Sanskrit scholar Panini himself.Dhadya+ang means body takes strength from curd. He was among one of the greatest among clan of bhrigus. He is credited with giving up his life in order to allow the Devas to use his bones to make weapons to defeat the Asura Vritra.

Biography
Dadhichi was the son of Atharvan a rishi and his wife Chitti(Bhaagvat Puraan, 4/1), who was the son of Brahma .Chitti was sage kardam daughter. His wife’s name was Swarcha (or other) mentioned at few places and his son was Pippalada, a great sage himself, who is supposed to be associated with the Pippalada school of thought and associated with the origin of the Praśna Upanishad.He had established his ashram in Misrikh, in Namishyaranya near Lucknow, in the state of Uttar Pradesh, India[1].Namishyaranya has been cited in all of the puranas as the place of his ashram, where it is still in existence. His name is seen to occur in the 1st mandala of Rigveda, Bhagavata Purana, Srimad Devi Bhagavatam and in the Puranas). He is said to be the forefather of many other great rishis and various clans, such as the Dadhich in India claim to be his descendants.

Dadhichi has believed to authoured famous composition of “Narayanm Kawacham” , which is quite popular in southern India and hymmed for power & peace.His bones are marked as symbol on the India’s highest gallant award “parm veer chakra” as “vajra”.He was a passer-by of Madhuvidhya to ashvin kumars which he learned himself from others.

Legends
Dadhichi is associated with many Hindu legends and is sometimes portrayed as having a horse’s head.[citation needed]

Ashvashira – The One With The Horse’s Head
Dadhichi was said to be a master of a vedic art known as Brahmavidya (Madhuvidya) that would enable mortals to attain immortality[2]. Indra the King of the Devas felt his position was insecure with such power in the hands of a mortal man, especially one with as much power as Dadhichi possessed by virtue of being a rishi. Indra was also against the Ashwini twins learning Brahmavidya and swore that he would behead the one who taught them the art. However the Ashwini twins, wished to learn this art and devised a plan to protect Dadhichi from Indra’s power. They learnt the art from Dadhichi after cutting off his head, preserving it and replacing it with one from a horse. Indra in his wrath beheaded the horse-headed sage and left. The Ashwini twins then put Dadhichi’s head back and revived him with the Madhuvidya that he had taught them. This was how the sage came to be called Ashvashira – The One with the Horse’s head.

Indra and Vritra – The Tale of the Vajrayudha
Indra the King of the devas was once driven out of devaloka by an asura named Vritra. The asura was the recipient of a boon whereby he could not be killed by any weapon that was known till the date of his receiving the boon and additionally that no weapon made of wood or metal could harm him.[3])Indra, who had lost all hope of recovering his kingdom was said to have approached Shiva who could not help him. Indra along with Shiva and Brahma went to seek the aid of Vishnu. Vishnu revealed to Indra that only the weapon made from the bones of the sage Dadhichi would defeat Vritra. Indra and the other devas therefore approached the sage, whom Indra had once beheaded, and asked him for his aid in defeating Vritra. Dadhichi acceded to the devas’ request but said that he wished that he had time to go on a pilgrimage to all the holy rivers before he gave up his life for them. Indra then brought together all the waters of the holy rivers to Naimisharanya, thereby allowing the sage to have his wish fulfilled without a further loss of time. Dadhichi is then said to have given up his life by the art of Yoga after which the Devas fashioned the Vajrayudha from his spine. This weapon was then used to defeat the asura, allowing Indra to reclaim his place as the King of devaloka

Another version of the story exists where Dadhichi was asked to safeguard the weapons of the devas as they were unable to match the arcane arts being employed by the asuras to obtain them. Dadhichi is said to have kept at the task for a vary long time and finally tiring of the job, he is said to have dissolved the weapons in sacred water which he drank.) The devas returned a long time later and asked him to return their weapons so that they might defeat the asuras, headed by Vritra, once in for all. Dadhichi however told them of what he had done and informed them that their weapons were now a part of his bones. However, Dadhichi, realising that his bones were the only way by which the devas could defeat the asuras willingly gave his life in a pit of mystical flames he summoned with the power of his austerities. Brahma is then said to have fashioned a large number of weapons from Dadhichi’s bones, including the Vajrayudha, which was fashioned from his spine. The devas are then said to have defeated the asuras using the weapons thus created.

Charaka

Charaka, also known as Charaka Muni, was an ancient Indian physician and one of the principal contributors to the field of Ayurveda, the traditional system of medicine in India. He is often referred to as the “Father of Indian Medicine.” Charaka’s contributions to Ayurveda are documented in a seminal work known as the “Charaka Samhita.”

Here are key points about Charaka:

  1. Charaka Samhita: Charaka is credited with composing the “Charaka Samhita,” an ancient Sanskrit text that serves as one of the foundational works in Ayurveda. The Charaka Samhita is a comprehensive treatise that covers various aspects of medicine, including anatomy, physiology, diagnosis, treatment, and pharmacology.
  2. Period: Charaka is believed to have lived around the 4th century BCE. His exact dates are not precisely known, but he is considered a contemporary of Sushruta, another ancient Indian physician who contributed to the field of surgery and is known for the “Sushruta Samhita.”
  3. Contributions to Ayurveda: Charaka’s contributions to Ayurveda include the classification of diseases, principles of diagnosis, and an extensive understanding of the use of medicinal plants and substances. The Charaka Samhita emphasizes the holistic approach to health, focusing on the balance of the three doshas (Vata, Pitta, and Kapha) and the importance of a healthy lifestyle.
  4. Concept of Tridosha: Charaka’s work elaborates on the concept of Tridosha, which represents the three fundamental energies or principles in the body—Vata, Pitta, and Kapha. According to Ayurveda, maintaining a balance among these doshas is crucial for overall well-being.
  5. Principles of Treatment: The Charaka Samhita outlines various treatment modalities, including herbal remedies, dietary recommendations, and lifestyle practices. Charaka emphasizes preventive medicine and the importance of understanding the root causes of diseases.
  6. Holistic Approach: Charaka’s approach to medicine is holistic, taking into consideration not only the physical aspects of health but also the mental and spiritual dimensions. The interconnectedness of the body, mind, and spirit is a central theme in Ayurveda.
  7. Legacy: Charaka’s contributions have had a lasting impact on the practice of Ayurveda, and the Charaka Samhita remains an authoritative text in traditional Indian medicine. His principles and teachings continue to influence practitioners of Ayurveda and individuals seeking holistic health.

Charaka’s work reflects the depth of knowledge and understanding of the human body and health in ancient India. His contributions have played a crucial role in shaping the foundational principles of Ayurveda, and his legacy continues to be revered in the field of traditional Indian medicine.

Chanakya 

Chanakya, also known as Kautilya or Vishnugupta, was an ancient Indian teacher, philosopher, economist, jurist, and royal advisor who played a key role in the establishment of the Maurya Empire in ancient India. He is best known for his work as a strategist, political thinker, and author of the ancient Indian political treatise called the “Arthashastra.”

Here are some key points about Chanakya:

  1. Authorship of Arthashastra: Chanakya is traditionally credited with composing the “Arthashastra,” an ancient Indian treatise on statecraft, politics, economics, and military strategy. The Arthashastra provides guidelines for governance, diplomacy, and the administration of a kingdom.
  2. Role in Maurya Empire: Chanakya played a crucial role in the rise of Chandragupta Maurya, the founder of the Maurya Dynasty. Chanakya identified the potential of a young Chandragupta, helped him form alliances, and devised strategies to overthrow the powerful Nanda Empire. Chandragupta eventually became the first Mauryan emperor.
  3. Chanakya and Chandragupta Maurya: Chanakya served as the chief advisor and mentor to Chandragupta Maurya. Their collaboration led to the establishment of the Maurya Empire, which became one of the largest empires in ancient India.
  4. Arthashastra’s Influence: The “Arthashastra” covers a wide range of topics, including economic policies, military strategies, espionage, and political philosophy. It reflects Chanakya’s pragmatic and realpolitik approach to statecraft. The treatise has had a lasting impact on the study of politics and governance in India.
  5. Quotes and Maxims: Chanakya is known for his sharp and insightful aphorisms. Many of his sayings are still quoted and admired for their wisdom. His teachings often emphasize the importance of strategy, intelligence, and practical wisdom in governance.
  6. Legacy: Chanakya’s legacy extends beyond his role as a political strategist. He is revered as a symbol of shrewd political acumen and effective governance. His ideas continue to be studied, and he is considered an important figure in Indian political thought.
  7. Death: According to traditional accounts, Chanakya’s death is associated with a dramatic incident. It is said that he died by consuming poison after realizing that he had been outsmarted by a woman named Subandhu’s wife, who used a strategy involving a fisherman’s son to counter Chanakya’s plans.

Chanakya’s contributions to political thought and his role in shaping the course of Indian history make him a revered figure, and his teachings remain relevant in various fields, including politics and leadership.

Chyavana

Chyavana is a sage mentioned in Hindu mythology, and he is associated with several significant events and stories. Here are some key aspects related to Chyavana:

  1. Marriage to Sukanya: One of the well-known stories involving Chyavana is his marriage to Sukanya. According to the myth, Chyavana was a sage who lived in deep meditation. Once, while he was immersed in meditation, two Asvins (celestial twins associated with medicine and healing) played a prank on him by taking the form of a beautiful young man. Sukanya, the daughter of King Sharyati, mistook Chyavana for the celestial youth and, without realizing the sage’s identity, married him.
  2. Angry King and Divine Intervention: When King Sharyati discovered the truth and realized that his daughter had married a sage instead of the celestial youth, he became angry. Chyavana, feeling sympathetic towards Sukanya and her father, invoked the Ashvins to restore her youth and beauty. The Ashvins agreed to the request and granted Sukanya perpetual youth.
  3. Chyavana Prasravana: Chyavana is also associated with a fire sacrifice known as “Chyavana Prasravana.” This sacrifice is mentioned in Vedic literature, and Chyavana is credited with its establishment.
  4. Mandavya Incident: In another account, Chyavana is mentioned in the Mahabharata in connection with the story of Mandavya. Sage Mandavya was mistakenly impaled on a trident by a king during a hunting expedition. In response to this injustice, Mandavya cursed the king to be reborn as a python. Later, Chyavana’s intervention played a role in mitigating the curse.

Chyavana is generally portrayed as a wise and compassionate sage in Hindu mythology. The story of his marriage to Sukanya is often cited to illustrate themes of devotion, divine intervention, and the consequences of hasty actions. The Chyavana Prasravana sacrifice underscores the importance of rituals and ceremonies in Vedic traditions.

In Hindu mythology, Chyavana (चित्रांगद) was a great sage, who had done penances for several years. He was powerful enough to oppose the Vajra of Indra and was responsible for the Ashwini Kumaras getting their share of the sacrificial offerings. The story of his creation is the Mada.

He was married to Sukanya, a princess. Chyavana Rishi Ashram situated at chanani Ghazipur.

Bhringi

According to Hindu mythology, Parangi (the wanderer) was an ancient sage (rishi), and a great devotee of Shiva,the Hindu God of destruction and rejuvenation. The legend states that he had Two legs. According to mythology, all the rishis once paid homage to both Shiva and Parvati, the second consort of Shiva, but Parangi would not worship Parvati and dedicated himself solely to Shiva. Enraged, Parvati reduced Parangi to a skeleton. In this form he was not able to stand and so Shiva provided him with a third leg. Bhringi remained undaunted, and continued to worship only Shiva. To force him to worship Parvati as well, Shiva transformed himself into his androgynous form of Ardhanarishvara, in which state he was combined with his consort Parvati. Parangi remained undeterred. Transformed himself in a bee, he bored his way through the male part of androgynous Shiva and continued his worship. He generally appears beside Shiva during his cosmic dance of tandava.

Bhringi is a name associated with Hindu mythology, and it primarily refers to a mythical figure often depicted as a staunch devotee of Lord Shiva. Here are some key aspects associated with Bhringi:

  1. Devotee of Lord Shiva: Bhringi is renowned for his unwavering devotion to Lord Shiva. His devotion is often depicted in stories and legends that highlight his single-minded focus on worshiping Shiva.
  2. Unique Form: Bhringi is said to have a unique appearance in Hindu mythology. According to popular depictions, he is portrayed with three legs and three arms. The significance of this unusual form is linked to a particular story involving Lord Shiva and his consort, Parvati.
  3. Story of Bhringi and Shiva-Parvati: The most well-known story featuring Bhringi involves his intense devotion to Lord Shiva and his refusal to worship Shiva along with his consort, Parvati. Bhringi believed in worshiping only Lord Shiva and considered the combined form of Shiva and Parvati, known as Ardhanarishvara, as inappropriate for worship. Ardhanarishvara represents the androgynous or composite form of Shiva and Parvati, symbolizing the unity of masculine and feminine principles.
  4. Bhringi’s Determination: Bhringi’s devotion was so strong that, in order to maintain exclusive worship of Shiva, he decided to circumambulate Shiva while avoiding Parvati. This act posed a challenge as Ardhanarishvara is a composite form where Shiva and Parvati share a single body. In response to Bhringi’s determination, Shiva transformed into a separate form, allowing Bhringi to continue his exclusive devotion.
  5. Teaching of Unity: The story of Bhringi emphasizes the principle of unity and the inseparable nature of Shiva and Shakti (Parvati). It conveys the message that the divine is not divided but exists as an integrated whole, representing both masculine and feminine aspects.

The story of Bhringi is often told to convey philosophical and spiritual teachings related to the understanding of divine unity and the importance of recognizing the inseparable nature of various aspects of the Supreme. It is also a tale of deep devotion and determination in the pursuit of spiritual goals.