Ardhanarishwara

Ardhanarishvara is a composite androgynous form of the Hindu deities Shiva and Parvati (or Shakti). The name “Ardhanarishvara” is derived from three Sanskrit words: “Ardha,” meaning “half,” “Nari,” meaning “woman,” and “Ishvara,” meaning “Lord” or “God.” Therefore, Ardhanarishvara represents the Lord who is half-woman.

Key features and symbolism associated with Ardhanarishvara include:

  1. Representation of Unity: Ardhanarishvara symbolizes the unity and inseparability of the male and female aspects of the divine. It represents the idea that Shiva and Shakti are not separate entities but are two halves of a single, unified whole.
  2. Physical Characteristics: The right half of Ardhanarishvara is typically depicted as Shiva, with matted hair, a third eye on the forehead, and a serpent around the neck. The left half is Parvati, adorned with jewelry, and often holding a lotus. The gender-specific attributes of each half are blended seamlessly.
  3. Symbolic Elements: Ardhanarishvara may be shown with various symbolic elements, such as a crescent moon on Shiva’s head, the Ganges River flowing from Shiva’s hair, and a trident (trishula) in one of Shiva’s hands. Parvati’s hand may hold a mirror or a flower.
  4. Yin-Yang Symbolism: The imagery of Ardhanarishvara is often likened to the concept of Yin and Yang in Eastern philosophy, signifying the balance and interdependence of opposites.
  5. Spiritual Significance: Ardhanarishvara embodies the concept of Ardha-Nariswara, emphasizing the idea that the masculine and feminine energies are complementary and necessary for the creation and sustenance of the universe. It is a powerful representation of the unity underlying the apparent duality in the cosmos.
  6. Cosmic Dance: Ardhanarishvara is sometimes depicted in a dancing pose, highlighting the dynamic and rhythmic nature of the cosmos.

Ardhanarishvara is worshipped as a symbol of divine harmony, balance, and the interdependence of the male and female principles. Devotees seek blessings for marital bliss, understanding, and spiritual realization through the worship of Ardhanarishvara. Temples dedicated to Ardhanarishvara can be found in various parts of India.

Dakshinamurthy

Dakshinamurthy is a form of Lord Shiva, the Hindu god of destruction and transformation, in his aspect as the “Teacher of the South.” The term “Dakshinamurthy” is derived from two Sanskrit words: “Dakshina,” which means “south,” and “Murthy,” which means “form” or “image.” This form of Shiva is often depicted as a teacher who imparts knowledge to his disciples in a silent and profound manner.

Key features and symbolism associated with Dakshinamurthy include:

  1. Silent Teaching: Dakshinamurthy is often shown seated under a banyan tree in a meditative posture, with one foot resting on a demon (representing ignorance). He is usually depicted as young and radiant. The imagery conveys the idea that knowledge is not always conveyed through words but can be transmitted through silence and inner realization.
  2. Gesture (Mudra): Dakshinamurthy is depicted with his right hand in the gesture of teaching (chin mudra), symbolizing the bestowing of knowledge and wisdom.
  3. Four Disciples: In some depictions, Dakshinamurthy is surrounded by four disciples who are receiving spiritual instruction. These disciples represent the four Vedas—Rigveda, Samaveda, Atharvaveda, and Yajurveda.
  4. Representation of Time (Kala): The image of Dakshinamurthy is also associated with the concept of time, representing the eternal cosmic cycle. The crescent moon on his head and the flowing Ganges River from his hair symbolize the cyclical nature of time.
  5. Deer and Snake: Dakshinamurthy may be accompanied by a deer and a snake. The deer symbolizes the mind, which is restless and constantly moving, while the snake represents the divine knowledge that can control the mind.
  6. Scriptures: Dakshinamurthy is often associated with the scriptures and is considered the ultimate source of all knowledge contained in the Vedas and Upanishads.

The form of Dakshinamurthy is highly revered in Hinduism, especially in the Advaita Vedanta tradition, where the emphasis is on non-dualism and the realization of the ultimate reality (Brahman). The silence of Dakshinamurthy represents the transcendental knowledge that goes beyond words and concepts.

Devotees seek the blessings of Dakshinamurthy for wisdom, understanding, and spiritual realization. Temples dedicated to Dakshinamurthy can be found in various parts of India.

Shiva

Shiva, one of the principal deities in Hinduism, is often referred to as the “Destroyer” or “Transformer” within the Trimurti, the cosmic trinity that also includes Brahma (the Creator) and Vishnu (the Preserver). Shiva is a complex and multifaceted deity, and different aspects of Shiva are emphasized in various traditions and texts. Here are some key aspects and characteristics associated with Shiva:

  1. Nataraja (Lord of the Dance): Shiva is often depicted as Nataraja, the Lord of the Dance, performing the cosmic dance of creation, preservation, and destruction. This dance symbolizes the dynamic and cyclical nature of the universe.
  2. Third Eye: Shiva is sometimes depicted with a third eye, representing spiritual insight and knowledge. It is associated with the idea of seeing beyond the physical and perceiving the inner truth.
  3. Trishula (Trident): Shiva is often depicted holding a trident, representing the three fundamental aspects of existence: creation, preservation, and destruction. The trident is also a symbol of Shiva’s power.
  4. Snake: A snake is often coiled around Shiva’s neck, symbolizing his mastery over fear and death. It also represents the Kundalini energy, a powerful force associated with spiritual awakening.
  5. Ashes (Bhasma): Shiva is often depicted with ashes smeared on his body, symbolizing the transient nature of life and the ultimate reality beyond material existence.
  6. Rudraksha Beads: Shiva is associated with Rudraksha beads, which are considered sacred and are often used as prayer beads by his followers.
  7. Mount Kailash: Shiva is said to reside on Mount Kailash in the Himalayas. This mountain is considered a sacred abode and a place of pilgrimage.
  8. Lingam: The lingam is a symbol of the formless aspect of Shiva and is often worshiped in temples. It represents the cosmic pillar and the essence of the divine creative power.
  9. Ardhanarishvara: Shiva is sometimes depicted in the form of Ardhanarishvara, where one half of the body is that of Shiva and the other half is his consort, Parvati. This represents the unity of masculine and feminine energies.
  10. Panchakshara Mantra: The sacred mantra “Om Namah Shivaya” is widely used in the worship of Shiva. It is a powerful chant expressing devotion to Lord Shiva.

Shiva is revered by millions of Hindus worldwide, and his worship is central to various sects and traditions within Hinduism. Devotees seek his blessings for spiritual growth, liberation, and the removal of obstacles.

Venkateswara

Venkateswara is a form of the Hindu god Vishnu, who is primarily worshipped in the Tirumala Venkateswara Temple in Tirupati, Andhra Pradesh, India. The temple is one of the most visited and richest temples in the world.

Venkateswara is often referred to as Lord Venkateswara, Balaji, Srinivasa, or simply as Govinda. The deity is usually depicted standing on a lotus with his consorts, Lakshmi and Padmavati, on either side. He is considered a form of Vishnu who came to the earth in response to the prayers of sages and devotees.

The mythology associated with Lord Venkateswara is often linked to a legend from the Puranas. According to the story, Vishnu incarnated as Srinivasa (Venkateswara) and married Princess Padmavati. Devotees believe that Lord Venkateswara is a bestower of wealth, and people often visit the Tirumala temple to seek his blessings for prosperity and fulfillment of their wishes.

The temple at Tirumala is known for its unique traditions, including the practice of tonsuring the hair of devotees as a form of offering. Devotees also offer donations, and it is believed that contributing to the temple’s funds is a way of participating in acts of charity and supporting various social and religious initiatives.

Devotion to Venkateswara is widespread, and the deity is worshipped by millions of people, not only in India but also in various parts of the world where there are Hindu communities. The chanting of the mantra “Om Namo Venkatesaya” is considered auspicious and is often recited by devotees.

Venkateswara, also known as Srinivasa or Balaji, is a form of the Hindu god Vishnu. Lord Venkateswara is widely revered in the South Indian states of Andhra Pradesh and Tamil Nadu and is a central deity in the Tirumala Tirupati Devasthanams (TTD), one of the most visited and wealthiest religious institutions in the world.

Here are some key aspects of the deity Venkateswara:

  1. Temple: The most famous temple dedicated to Lord Venkateswara is the Tirumala Venkateswara Temple, located in the hill town of Tirumala in the Chittoor district of Andhra Pradesh, India. The temple is situated on the Venkatadri hill, one of the seven hills of Tirumala.
  2. Appearance: Venkateswara is often depicted standing with his consorts, Goddess Lakshmi and Goddess Padmavati. He is typically shown with four hands, holding a conch shell (shankha), a discus (chakra), a mace (gada), and a lotus flower.
  3. Devotee’s Vow (Vratam): The worship of Venkateswara is associated with a vow called “Tirumala Vratham” or “SriVari Vratham.” Devotees undertake this vow to seek the blessings of the deity. It involves observing certain rituals, including fasting and prayer.
  4. Balaji and Govinda: Lord Venkateswara is also affectionately called “Balaji” and “Govinda” by his devotees. These names are used as expressions of love and devotion.
  5. Legend of Venkateswara: According to Hindu mythology, Lord Venkateswara is believed to be a form of Vishnu who appeared on Earth to save humanity. The most famous legend associated with him is the story of his marriage to Goddess Padmavati.
  6. Tirupati Laddu: The Tirumala Venkateswara Temple is renowned for offering a sweet called “Tirupati Laddu” to the devotees. It is considered a special prasadam (blessed food) from the deity.

The worship of Lord Venkateswara has a significant place in the hearts of millions of devotees, and the Tirumala Temple attracts pilgrims from all over the world. The deity is regarded as a benevolent and accessible form of the divine, and his blessings are sought for prosperity, well-being, and spiritual growth.

Narayana

“Narayana” is a term in Hinduism that is often used to refer to the Supreme Cosmic Being or the Ultimate Reality. It is a name for the preserver aspect of the divine, and it is closely associated with the god Vishnu. The term “Narayana” is derived from two words: “Nara,” which means “human,” and “Ayana,” which means “shelter” or “refuge.” Therefore, Narayana can be understood as the refuge or shelter of all beings.

Vishnu, one of the principal deities in Hinduism, is often referred to as Narayana. According to Hindu theology, Vishnu incarnates in various forms (avatars) to maintain cosmic order and protect dharma (righteousness). In this role, Vishnu is the preserver and sustainer of the universe.

The concept of Narayana goes beyond a specific deity and encompasses the idea of the all-pervading, transcendent, and immanent reality in Hindu philosophy. It reflects the understanding that the divine is present in all aspects of creation and is the ultimate source of everything.

The Bhagavad Gita, a sacred Hindu scripture, also refers to Narayana. In Chapter 15, Verse 19, Lord Krishna (an avatar of Vishnu) says, “I am the goal, the sustainer, the master, the witness, the abode, the refuge, and the most dear friend. I am the creation and the annihilation, the basis of everything, the resting place, and the eternal seed.”

In summary, Narayana is a significant concept in Hinduism, representing the Supreme Being, often identified with Vishnu, who is the preserver and protector of the universe.

Garutman or Garuda, the mighty bird-vehicle of Lord Visnu is a minor deity invariably found in all the Vaisnava temples. He is described as the son of the sage couple Kasyapa and Vinata and as the younger brother of Aruna, the charioteer of Sun-god. The chief among his multifarious exploits is his bringing of the pot of nectar from Indra’s heaven. It is precisely this that made Lord Visnu choose him as His vehicle.
Literally, the word Garuda means ‘wings of speech’. He actually personifies Vedic knowledge. On his wings, as it were, Vedic Knowledge has come down to us, from the world of God.
The Garuda image is usually anthropomorphic. He is shown with a sharp beak, and two wings at the back. The hands may be eight or four or just two. Two of the hands are always in the adoration pose. In the others he carries the conch, wheel, mace, sword, snake and nectarpot. The image is usually installed right opposite the central shrine.
It may appear to be rather intriguing that Lord Visnu has a serpent as his couch and an eagle, its arch enemy, as his vehicle! This is to show that he is the Lord of balance and harmony which is an essential quality for one charged with the responsibility of sustaining this multifarious universe.
Another deity invariably found in the Visnu temples, especially in the South, is Hanuman the monkey-god. The Ramayana pictures him as a highly erudite, cultured and refined person. He is as strong as he is wise, and as devoted as he is strong and wise, a rare combination indeed.
He is represented in two postures: When in the company of SrI Rama, SIta and Laksmana, he is shown standing humbly at a distance or sitting devotedly at the feet of SrI Rama. In shrines specially erected for him, he strikes a heroic pose, usually with the mace in his left hand and carrying the Sanjivini mountain in his right hand.
Apart from these, it is common to show the weapons of Lord Visnu also in human form. They are then called Ayudhapurusas (weapon-beings). The Ayudhapurusa may be male, female, or neuter, depending upon the gender of the word indicating it. For instance, Gada (mace) is a female deity whereas the Cakra (discus) is a neuter deity.
The Sudarsana-cakra is shown as a person. with a hexagon as his background, brilliant as fire and having four or eight or sixteen arms holding bow, arrow, trident, noose, goad and other implements as also weapons, apart from the usual Vaisnavite symbols. It is said to represent the cosmic mind, the will of the Lord to multiply as well as His infinite power to create and destroy the universe. The Sudarsana-mantra is said to possess the power to neutralize poisons and exorcise malignant spirits.
The Kaumodaki, the Gada (mace) of Lord Visnu is depicted as a female deity, with one face and two hands which are in the posture of adoration. It symbolises power and sovereignty.
No account of Lord Visnu will be complete without mentioning about the Salagrama, a blackish rounded and polished stone with a hole containing the fossils of tiny molluses, which is worshipped as an emblem of-His. There are several varieties of them representing different aspects of the Lord. Salagramas can be installed in temples but are usually worshipped in one’s own home privately. Once it is kept at home, its worship becomes obligatory.
 Garutman or Garuda, the mighty bird-vehicle of Lord Visnu is a minor deity invariably found in all the Vaisnava temples. He is described as the son of the sage couple Kasyapa and Vinata and as the younger brother of Aruna, the charioteer of Sun-god. The chief among his multifarious exploits is his bringing of the pot of nectar from Indra’s heaven. It is precisely this that made Lord Visnu choose him as His vehicle.
Literally, the word Garuda means ‘wings of speech’. He actually personifies Vedic knowledge. On his wings, as it were, Vedic Knowledge has come down to us, from the world of God.
The Garuda image is usually anthropomorphic. He is shown with a sharp beak, and two wings at the back. The hands may be eight or four or just two. Two of the hands are always in the adoration pose. In the others he carries the conch, wheel, mace, sword, snake and nectarpot. The image is usually installed right opposite the central shrine.
It may appear to be rather intriguing that Lord Visnu has a serpent as his couch and an eagle, its arch enemy, as his vehicle! This is to show that he is the Lord of balance and harmony which is an essential quality for one charged with the responsibility of sustaining this multifarious universe.
Another deity invariably found in the Visnu temples, especially in the South, is Hanuman the monkey-god. The Ramayana pictures him as a highly erudite, cultured and refined person. He is as strong as he is wise, and as devoted as he is strong and wise, a rare combination indeed.
He is represented in two postures: When in the company of SrI Rama, SIta and Laksmana, he is shown standing humbly at a distance or sitting devotedly at the feet of SrI Rama. In shrines specially erected for him, he strikes a heroic pose, usually with the mace in his left hand and carrying the Sanjivini mountain in his right hand.
Apart from these, it is common to show the weapons of Lord Visnu also in human form. They are then called Ayudhapurusas (weapon-beings). The Ayudhapurusa may be male, female, or neuter, depending upon the gender of the word indicating it. For instance, Gada (mace) is a female deity whereas the Cakra (discus) is a neuter deity.
The Sudarsana-cakra is shown as a person. with a hexagon as his background, brilliant as fire and having four or eight or sixteen arms holding bow, arrow, trident, noose, goad and other implements as also weapons, apart from the usual Vaisnavite symbols. It is said to represent the cosmic mind, the will of the Lord to multiply as well as His infinite power to create and destroy the universe. The Sudarsana-mantra is said to possess the power to neutralize poisons and exorcise malignant spirits.
The Kaumodaki, the Gada (mace) of Lord Visnu is depicted as a female deity, with one face and two hands which are in the posture of adoration. It symbolises power and sovereignty.
No account of Lord Visnu will be complete without mentioning about the Salagrama, a blackish rounded and polished stone with a hole containing the fossils of tiny molluses, which is worshipped as an emblem of-His. There are several varieties of them representing different aspects of the Lord. Salagramas can be installed in temples but are usually worshipped in one’s own home privately. Once it is kept at home, its worship becomes obligatory.
 

Kalki

Kalki (Sanskrit: कल्कि), also called Kalkin is the prophesied tenth and final incarnation of the god Vishnu. He is described to appear in order to end the Kali Yuga, one of the four periods in the endless cycle of existence (Krita) in Vaishnava cosmology. The end of the Kali Yuga states this will usher in the new epoch of Satya Yuga in the cycle of existence, until the Maha pralaya (dissolution of the universe).

Kalki is described in the Puranas as the avatar who rejuvenates existence by ending the darkest and destructive period to remove adharma (unrighteousness) and ushering in the Satya Yuga, while riding a white horse with a fiery sword. The description and details of Kalki are different among various Puranas. Kalki is also found in Buddhist texts, for example the Kalachakra-Tantra of Tibetan Buddhism.

The prophecy of the Kalki Avatara is also told in Sikh texts.

The name Kalki is derived from Kal, which means “time” (Kali Yuga). The original term may have been Karki (white, from the horse) which morphed into Kalki. This proposal is supported by two versions of Mahabharata manuscripts (e.g. the G3.6 manuscript) that have been found, where the Sanskrit verses name the incarnation to be karki.

Budha

It looks like you mentioned “Budha,” which might be a reference to Buddha, the founder of Buddhism. Siddhartha Gautama, commonly known as Buddha, was a spiritual leader and teacher who lived in ancient India. Born in the 6th century BCE, he is revered as the “Enlightened One” for his insights into the nature of suffering and the path to liberation.

Buddha’s teachings, encapsulated in the Four Noble Truths and the Eightfold Path, form the foundation of Buddhism. The Four Noble Truths address the nature of suffering, its cause, its cessation, and the path to the cessation of suffering. The Eightfold Path outlines a set of ethical and mental guidelines for achieving enlightenment.

Buddha’s teachings have had a profound impact on the spiritual and philosophical traditions of many Asian cultures, and Buddhism has followers worldwide. The term “Buddha” is often used to refer not only to Siddhartha Gautama but also to any person who has attained enlightenment in the Buddhist tradition.

It seems like you mentioned “Budha,” which might be a reference to Buddha. Buddha is a title given to Siddhartha Gautama, who was a spiritual teacher and the founder of Buddhism. Born in ancient India, Buddha is believed to have lived in the 6th to 4th century BCE.

Siddhartha Gautama attained enlightenment under the Bodhi tree and spent the rest of his life teaching the principles of Buddhism, which include the Four Noble Truths and the Eightfold Path. His teachings emphasize the nature of suffering, the cause of suffering, the possibility of cessation of suffering, and the path leading to the cessation of suffering.

Buddha’s teachings have had a profound impact on many people worldwide, and Buddhism has become one of the major world religions. The term “Buddha” is not only used to refer to Siddhartha Gautama but is also used more broadly in Buddhism to describe anyone who has attained enlightenment.

If you have a specific question or topic related to Buddha or Buddhism that you would like more information about, feel free to ask!

Sources of the life of the Buddha

Accounts of the life of the Buddha appear in many forms. Perhaps the earliest are those found in the collections of sutras (Pali: suttas), discourses traditionally attributed to the Buddha. In the sutras, the Buddha recounts individual events in his life that occurred from the time that he renounced his life as a prince until he achieved enlightenment six years later. Several accounts of his enlightenment also appear in the sutras. One Pali text, the Mahaparinibbana-sutta (“Discourse on the Final Nirvana”), describes the Buddha’s last days, his passage into nirvana, his funeral, and the distribution of his relics. Biographical accounts in the early sutras provide little detail about the Buddha’s birth and childhood, although some sutras contain a detailed account of the life of a prehistoric buddha, Vipashyin.

Another category of early Buddhist literature, the vinaya (concerned ostensibly with the rules of monastic discipline), contains accounts of numerous incidents from the Buddha’s life but rarely in the form of a continuous narrative; biographical sections that do occur often conclude with the conversion of one of his early disciples, Shariputra. While the sutras focus on the person of the Buddha (his previous lives, his practice of austerities, his enlightenment, and his passage into nirvana), the vinaya literature tends to emphasize his career as a teacher and the conversion of his early disciples. The sutras and vinaya texts, thus, reflect concerns with both the Buddha’s life and his teachings, concerns that often are interdependent; early biographical accounts appear in doctrinal discourses, and points of doctrine and places of pilgrimage are legitimated through their connection to the life of the Buddha.

Near the beginning of the Common Era, independent accounts of the life of the Buddha were composed. They do not recount his life from birth to death, often ending with his triumphant return to his native city of Kapilavastu (Pali: Kapilavatthu), which is said to have taken place either one year or six years after his enlightenment. The partial biographies add stories that were to become well-known, such as the child prince’s meditation under a rose-apple tree and his four momentous chariot rides outside the city.

These accounts typically make frequent reference to events from the previous lives of the Buddha. Indeed, collections of stories of the Buddha’s past lives, called Jatakas, form one of the early categories of Buddhist literature. Here, an event reminds the Buddha of an event in a past life. He relates that story in order to illustrate a moral maxim, and, returning to the present, he identifies various members of his audience as the present incarnations of characters in his past-life tale, with himself as the main character.

The Jataka stories (one Pali collection contains 547 of them) have remained among the most popular forms of Buddhist literature. They are the source of some 32 stone carvings at the 2nd-century BCE stupa at Bharhut in northeastern Madhya Pradesh state; 15 stupa carvings depict the last life of the Buddha. Indeed, stone carvings in India provide an important source for identifying which events in the lives of the Buddha were considered most important by the community. The Jataka stories are also well-known beyond India; in Southeast Asia, the story of Prince Vessantara (the Buddha’s penultimate reincarnation)—who demonstrates his dedication to the virtue of charity by giving away his sacred elephant, his children, and finally his wife—is as well-known as that of his last lifetime.

Lives of the Buddha that trace events from his birth to his death appeared in the 2nd century CE. One of the most famous is the Sanskrit poem Buddhacharita (“Acts of the Buddha”) by Ashvaghosa. Texts such as the Mulasarvastivada Vinaya (probably dating from the 4th or 5th century CE) attempt to gather the many stories of the Buddha into a single chronological account. The purpose of these biographies in many cases is less to detail the unique deeds of Shakyamuni’s life than to demonstrate the ways in which the events of his life conform to a pattern that all buddhas of the past have followed. According to some, all past buddhas had left the life of the householder after observing the four sights, all had practiced austerities, all had achieved enlightenment at Bodh Gaya, all had preached in the deer park at Sarnath, and so on.

The life of the Buddha was written and rewritten in India and across the Buddhist world, elements added and subtracted as necessary. Sites that became important pilgrimage places but that had not been mentioned in previous accounts would be retrospectively sanctified by the addition of a story about the Buddha’s presence there. Regions that Buddhism entered long after his death—such as Sri Lanka, Kashmir, and Burma (now Myanmar)—added narratives of his magical visitations to accounts of his life.

No single version of the life of the Buddha would be accepted by all Buddhist traditions. For more than a century, scholars have focused on the life of the Buddha, with the earliest investigations attempting to isolate and identify historical elements amid the many legends. Because of the centuries that had passed between the actual life and the composition of what might be termed a full biography, most scholars abandoned this line of inquiry as unfruitful. Instead they began to study the processes—social, political, institutional, and doctrinal—responsible for the regional differences among the narratives of the Buddha. The various uses made of the life of the Buddha are another topic of interest. In short, the efforts of scholars have shifted from an attempt to derive authentic information about the life of the Buddha to an effort to trace stages in and the motivations for the development of his biography.

It is important to reiterate that the motivation to create a single life of the Buddha, beginning with his previous births and ending with his passage into nirvana, occurred rather late in the history of Buddhism. Instead, the biographical tradition of the Buddha developed through the synthesis of a number of earlier and independent fragments. And biographies of the Buddha have continued to be composed over the centuries and around the world. During the modern period, for example, biographies have been written that seek to demythologize the Buddha and to emphasize his role in presaging modern ethical systems, social movements, or scientific discoveries. What follows is an account of the life of the Buddha that is well-known, yet synthetic, bringing together some of the more famous events from various accounts of his life, which often describe and interpret these events differently.

Tenets & Teachings

Although he could now live his life in contentment and do as he pleased, he chose instead to teach others the path of liberation from ignorance and desire and assist them in ending their suffering. He preached his first sermon at the Deer Park at Sarnath at which he introduced his audience to his Four Noble Truths and the Eightfold Path. The Four Noble Truths are:

  • Life is suffering.
  • The cause of suffering is craving.
  • The end of suffering comes with an end to craving.
  • There is a path which leads one away from craving and suffering.


The fourth truth directs one toward the Eightfold Path, which serves as a guide to live one’s life without the kind of attachment that guarantees suffering:

  • Right View
  • Right Intention
  • Right Speech
  • Right Action
  • Right Livelihood
  • Right Effort
  • Right Mindfulness
  • Right Concentration

By recognizing the Four Noble Truths and following the precepts of the Eightfold Path, one is freed from the Wheel of Becoming which is a symbolic illustration of existence. In the hub of the wheel sit ignorance, craving, and aversion which drive it. Between the hub and the rim of the wheel are six states of existence: human, animal, ghosts, demons, deities, and hell-beings. Along the rim of the wheel are depicted the conditions which cause suffering such as body-mind, consciousness, feeling, thirst, grasping among many others which bind one to the wheel and cause one to suffer.

Krishna

“Krishna” is a central figure in Hinduism, known for his divine characteristics, teachings, and exploits. He is considered the eighth avatar (incarnation) of Lord Vishnu, and his life and teachings are primarily found in the ancient Indian epic, the “Mahabharata,” and in the “Bhagavad Gita,” a sacred scripture and a part of the Mahabharata. Krishna is also the main protagonist in the “Bhagavata Purana” and other Puranic texts.

Key aspects of Krishna’s life and teachings include:

  1. Birth and Childhood: Krishna is born to King Vasudeva and Queen Devaki in the city of Mathura. His birth is celebrated as Krishna Janmashtami. Due to the threat from his maternal uncle, the tyrannical King Kansa, Krishna is secretly transported to the village of Gokul, where he grows up as a cowherd.
  2. Childhood Exploits: Krishna is known for his childhood exploits, including his playful interactions with the cowherd girls (gopis) and his miraculous deeds, such as lifting the Govardhan Hill to protect the people of Gokul from a rainstorm.
  3. Rasa Lila: The “Rasa Lila” is a famous episode in Krishna’s life where he dances with the gopis in the moonlit night, symbolizing the divine love between the soul (jiva) and the Supreme (Krishna).
  4. Role in the Mahabharata: Krishna plays a crucial role as a charioteer and advisor to Prince Arjuna in the Kurukshetra War, as depicted in the Bhagavad Gita. In the Gita, Krishna imparts spiritual wisdom to Arjuna on various aspects of life, duty, and the path to self-realization.
  5. Bhagavad Gita: The Bhagavad Gita is a philosophical and spiritual dialogue between Krishna and Arjuna. It addresses the concepts of dharma (righteous duty), yoga, devotion (bhakti), and the nature of reality. The teachings of the Gita have had a profound impact on Hindu philosophy.
  6. Death: Krishna’s earthly life comes to an end when he is accidentally shot by an arrow in the foot. He then returns to his divine abode, but his teachings continue to inspire millions of followers.
  7. Cultural Impact: Krishna is a multifaceted deity and is revered in various forms, including as a playful child, a mischievous youth, a divine lover, and a wise philosopher. His stories, especially those of his childhood and the Bhagavad Gita, are widely celebrated in art, literature, dance, music, and festivals across different cultures.

Krishna is regarded as the Supreme Personality of Godhead by his devotees, and his teachings continue to be a source of inspiration for spiritual seekers and practitioners of Hinduism. The worship of Krishna is a significant aspect of the Bhakti movement in Hinduism.

Rama

“Rama” is one of the most revered and beloved figures in Hindu mythology, and he is considered the seventh avatar (incarnation) of Lord Vishnu. The story of Rama is primarily narrated in the ancient Indian epic, the “Ramayana,” attributed to the sage Valmiki. The narrative has also been retold in various other texts, regional versions, and forms of art and literature across different cultures.

The key elements of the story of Rama are as follows:

  1. Birth and Early Life: Rama is born to King Dasharatha of Ayodhya and Queen Kaushalya. His birth is celebrated as Rama Navami. Rama is the eldest of four brothers, including Lakshmana, Bharata, and Shatrughna. He is known for his exemplary qualities such as righteousness, compassion, and loyalty.
  2. Exile: Rama is destined to become the heir to the throne of Ayodhya, but due to a promise made by King Dasharatha to his wife Kaikeyi, Rama is sent into exile for 14 years. His wife, Sita, and loyal brother Lakshmana accompany him. During their exile, Sita is abducted by the demon king Ravana.
  3. Search for Sita: Rama, with the help of the monkey-god Hanuman and an army of monkeys, searches for Sita. The search takes him to the kingdom of Lanka, where he faces numerous challenges.
  4. Battle with Ravana: The climax of the epic is the great battle between Rama and Ravana, in which Rama, aided by the monkey army, defeats Ravana and rescues Sita. This victory is celebrated as Dussehra.
  5. Return to Ayodhya: After the exile period is over, Rama returns to Ayodhya with Sita and is joyously welcomed by the people. His return is celebrated as Diwali, the festival of lights.
  6. Rule of Rama: Rama becomes the king of Ayodhya, and his reign is often described as the ideal rule, known as “Ram Rajya.” During his rule, justice, righteousness, and prosperity prevail.

The story of Rama is not only a tale of heroism but also a profound moral and philosophical narrative. Rama is revered as the embodiment of dharma (righteousness) and is often seen as an ideal husband, son, and king. His life and teachings, as presented in the Ramayana, have been a source of inspiration for millions of people, shaping cultural, ethical, and spiritual values in Hinduism. Rama’s story has also influenced various art forms, including literature, music, dance, and theater across different cultures in South and Southeast Asia.

Parashurama

“Parashurama” is the sixth avatar (incarnation) of Lord Vishnu in Hindu mythology. Parashurama is known as the warrior with an axe (“parashu” means axe in Sanskrit), and he is often depicted as a Brahmin warrior who wields a battle axe. The Parashurama Avatar is associated with the extermination of the warrior caste, particularly the Kshatriyas (warrior class), to rid the world of their tyranny and restore balance.

The story of Parashurama Avatar is as follows:

  1. Origin of Parashurama: Parashurama is born to the sage Jamadagni and his wife Renuka. He is considered a Brahmin, belonging to the priestly class, but he possesses the characteristics of a warrior.
  2. Incident with Kartavirya Arjuna: Kartavirya Arjuna, a powerful Kshatriya king, once visited Jamadagni’s hermitage. The sage’s divine cow, Kamadhenu, provided abundant resources to serve the king and his army. However, Kartavirya Arjuna, driven by greed, wanted to take the cow by force. In the ensuing conflict, Parashurama’s father, Jamadagni, was killed.
  3. Parashurama’s Vow: Enraged by his father’s death, Parashurama vowed to rid the world of the corrupt Kshatriya rulers. He embarked on a mission to cleanse the earth of their oppression.
  4. Slaughter of Kshatriyas: Parashurama waged a series of battles against the Kshatriya kings, defeating them and eliminating their power. Legend has it that he filled five lakes with the blood of Kshatriyas.
  5. Return of Jamadagni: Parashurama, having fulfilled his vow, sought the guidance of his father’s spirit. Jamadagni’s spirit advised him to relinquish his anger and the axe, and Parashurama followed this counsel.
  6. Role in Mahabharata: Parashurama appears later in the Mahabharata, where he plays a significant role. He is the teacher of Bhishma, Drona, and Karna, imparting martial skills to them.

Parashurama’s story highlights the theme of dharma (righteousness) and the need for periodic cleansing of societal corruption. While Parashurama is known for his warrior aspect and the destruction of the Kshatriya rulers, he also represents the duality of Brahminical and Kshatriya qualities.

In Hindu traditions, Parashurama is revered as a Chiranjivi (immortal being who lives throughout the current cosmic age), and his story is often cited to emphasize the importance of upholding righteousness and opposing tyranny.